Diebenkorn “Seated Woman” Series

In 1964 a number of posters were made for an exhibition that Richard Diebenkorn was to have at Stanford. Later, the artist used leftover copies of the poster as a starting point for a small series of works that were both representational and abstract. See examples below.

More abstract pieces – notice how some representational aspects peek through…
Some of the first thematic shifts based on the original figure study.
This is the page from Diebenkorn’s Yale catalogue raisonné showing the first iterations of the small series.