One of my best students ever was Simon Tatum, a fantastic young man who recently graduated from Mizzou as an undergraduate. He is currently working for the National Gallery of the Cayman Islands on an internship, and his work is on display there now. Simon has really demonstrated his quality as an artist and as a person over the years I’ve known him, and I am confident that he will be a leader in Caribbean art for many years.
Before he left, Simon gifted this incredible study to me – below. It is a work of ink on Mylar (24 by 16 inches) that had been enamored with for a long time, and one that I consistently returned to gaze at as it hung on his studio wall for more than a year.
In some ways this work is a study, an early experimentation in the ink-on-Mylar technique that Simon explored for a good part of his undergraduate career. In other ways it presaged his current fascinations with Caymanian cemetery houses, the geometry of memorials, and the catalysts of memory that many human beings experience. I really love the piece and am planning to mount it in a light box so that it is back-lit… glorious.
Examples of some recent work (graphite screen printed on newsprint, dimensions variable. Photos by Simon Tatum):
Simon’s work has inspired me, but he has also given me a deeper connection to one of the most important stories I’ve encountered: Donald Crowhurst and his Teignmouth Electron. The tale of Crowhurst and his voyage, as recounted in the fantastic documentary Deep Water, are items that come up frequently in my classes. A wonderful book about this strange episode is Peter Nichols’s A Voyage For Madmen. Seriously, go read it.
The final resting place of the Teignmouth Electron is Cayman Brac, near where Simon grew up. It turned out that he knew how to find the boat, and so he visited it for me and others here at Mizzou who are interested. Just a couple weeks ago Simon, along with fellow Caribbean artist Blue Curry, visited the boat again to document its ongoing disintegration. Their photos have been posted here.
A fragment of the Teignmouth Electron, washed away from the decaying wreck after Hurricane Paloma in 2007.
The current state of the Teignmouth Electron, June 2017. Photo by Simon Tatum.
Thank you, Simon! I can’t wait to see what you do in the future!
I’ve absolutely LOVED all of his work. He’s incredibly gifted.
I’m still trying to digest that one about the drawing book novel woman’s caricaturisations and their
relevance in this today’s world and our cartoon imaginings. It’s a mouthful.