Eight years ago today one of the few most significant pivots of my life happened. My cardiac arrest is intimately tied to the death of my sister, to my experience of my home town, to my understanding of life and spirituality, and to my way of moving through every day life.

This year I’m commemorating the traumaversary with a new version of an old work. I first created Situation and Circumstance Overcome in 2003. It is definitely my most successful and most owned work, as I’ve created many copies – both paintings and prints – of the work as fundraisers for adoptions and other charitable occasions. For this version I chose to use my AxiDraw X&Y plotter. Using a new print of my old mezzotint plate of the piece (fig. 1) as a visual source, I created a large vectored image in Inkscape that had roughly 30 layers printed upwards of 5 times each (fig. 2).

Ink the vectored image you can see many of the layers along with the direction of the hatch fills and choices I made for density of pigment load. Each color was created with Sharpies, Posca acrylic markers, and a few other ink-based markers. The layers shown in the Inkscape file don’t correspond fully to the final image (fig 3.) because I made adjustments/changes to individual layers as I moved through building the image. There is a call and response between the digital and physical realms here that I really appreciate. I’ve also included a few details of the piece so you can see the finer textures and lines.

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I like having a rich, sentimental image like this following me through life. I’m convinced we’re all sentimental (if we’re honest and not sociopathic). By this word I don’t mean any kind of unexamined, saccharine idealization of some past version of reality. Rather, I mean that we really did experience real things in our pasts, and those things carry with them real emotions, real artifacts of our real selves. In some sense, sentimentality can give us momentary access to who we used to be in the past. It is a simultaneous connection and rupture. We know we can’t return to that person or that experience. And we know that we can’t really feel anything the same way again. And yet… some part of that reality is there for us in our sense of sentimentality. It’s akin to a certain scent or song taking us back to a prior state of being. There’s nothing wrong with this. Moreover, I suspect it has some adaptive advantage for the species by stimulating social/familial/relational/tribal/spatial cohesion.

In any case, I think making the image of life in the form of tiny sapling breaking up between the bricks has been a worthy thing for me. It’s a little picture of triumph in the midst of hardship. I’m glad it resonates with so many people. I’m glad variations of this piece hang in homes all over the world. And I’m glad I’m still here to appreciate it and add to its legacy.

I’m glad I didn’t miss these last eight years. There have been a lot of situations to overcome, but the life I’ve seen makes it all worth it. Here’s to another year. Peace.

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If you’d like to inquire about purchasing the traumaversary robot version of Situation and Circumstance Overcome, contact me over here.