Becoming the Student, #5: Captain America

Daniel Glosson (brother to Billy) is another young, passionate guy that I know. I always enjoy sitting down with him. Recently married, working multiple jobs, serving in the community, and trying to work out his faith and beliefs in the world, Daniel is an energetic force of nature. IMG_8425

Glosson (Captain America), Colored Pencil and Gouache on Stonehenge, 15 by 12 inches, 2014.

On Art

“I think art is incredible. But I don’t value the idea over what’s right there in front of us. I definitely miss stuff all of the time and I hate that, but when someone shows it to me I’m blown away. If an artist is trying to make a statement but isn’t doing anything about it that makes me angry. I guess I’m practical to a fault. When I see a problem I’m driven to do something about it, not simply represent it or use it as inspiration.”

On Working at Schilb Antiquarian

“I’m so fortunate. I love the job. It’s awesome. I want to attain the same love for the store and the books that Scott has. I’m trying to learn all I can. I love the chance to just browse through these books, read them. It’s amazing, and now that I’m looking at all these old books and trying to wrap my mind around it, I can really see this expanse of human thought over the centuries. They way they thought, they way they progressed in terms of understanding and rationalization. We just have all this stuff, these records of peoples’ thinking and processing. The questions of what do we value most are all there, and you can see how people have approached it, be it fantasy or escapism or cold, hard truth in the scientific or mathematical works. We even have an exorcism text from 1683, Flagellum Daemonum – literally “beat the devil”! – and it looks like it’s got blood on the cover. Wild.”

On Eucatastrophe

“I think death is extremely beautiful. I love tragedies.”

On his Captain America shirt

“I’m not really a patriot.”

On Michael Bay and Thomas Kinkade

“Fortunately there are two things you and I both loathe – and I think it’s hilarious – that’s Michael Bay and Thomas Kinkade. I think that’s the greatest thing ever. I don’t know if it’s great to bond over hatred but I remember talking to someone about hating Michael Bay movies and they said ‘you need to meet Matt Ballou!’ I’m so happy about that, just knowing there’s another. Those Transformer movies make me throw up in my mouth.”

On Looking Like Billy Corgan

“I don’t see it.”

Chariot Class Starship

I know that my Star Trek nerdiness isn’t appreciated by everyone, but the heart loves what it loves. I recently came upon a fan-based starship design that is really striking and interesting. This is the Chariot Class – click the image to go over to a full post of renderings on the Trekazoid blog. This ship was designed by Chris Reyes and modeled by Howard Day over at Scifi-Meshes and appears to be connected to the USS Excalibur designed by concept artist Ryan Dening (see the Excalibur here). Reyes doesn’t have his own website, but his work is posted widely. Here is his original sketch for the Chariot Class from 2004, and below it a more recent digital model of the craft:

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Trekazoid also features some nice renderings of schematics for the ship (version #1, version #2), as well as a master systems display. Cool stuff.

Though I’ve been working on new Lego Star Trek stuff, I’ve not got anything to post right now. But I’ve been so interested in the Chariot Class that I’ve done a few digital drawings of it and thought I’d post them here. They’re a variation on the overall design and very simple. Perhaps I’ll flesh them out with color later. Anyway, here they are:

Screenshot 2014-02-01 15.35.26 Screenshot 2014-02-01 15.36.47These drawings were done using Sketchbook Pro and then vectorized in Adobe Illustrator. Perhaps if my friend Daniel Glosson ever gets tattoos like his brother he could use these designs.

Becoming the Student, #4: Billy Glosson

In continuing the Becoming the Student project, I’m aiming to use different methods and mediums in building the portraits. In this piece, I focused on something tied directly to Billy’s identity and his presence in the world: his tattoos. I wanted to depict the color, the saturation, and the overtness of these artworks that have been put on his body. They’re really important to him as a way to tell a story and represent his deeply held beliefs.

IMG_8353Portrait of Billy (Fruit of the Vine), Pastel on Stonehenge, 19 by 22 inches, 2014.

Billy on his portrait:

“That’s really cool. I was wondering why you were staring at my midsection the whole time…”

Billy on maintaining awe:

“There’s not a method. I think our hearts are prone to becoming numb. Derek Webb has a song with a line that says ‘we love lovers less wild’ and I think that’s the truth. For me it’s about constantly coming back to the place where I’m asking God to reveal Himself. I want to create good longing in my heart. Difficult moments and hardships and conflict and frustrating things in my life point me back to grace. Another practical way is having people around me who can speak into my life; that’s been huge.”

Billy is on a quest to complete an entire sleeve of tattoos. To help him out, I suggested the classic image from The Cloud of Unknowing. I definitely think it’s skin-worthy:1979654_10103885160284509_1941637934_n

Becoming the Student, #3: Bobby Schembre

Bobby Schembre is a pastor, musician, questioner, lover of fine bourbons, and grill-master. In many ways we are different, but in many ways we are very similar… from the deepest hopes we harbor to the sorts of challenging questions we explore. Last week Bobby agreed to be a part of my “Becoming the Student” project. I greatly looked forward to our conversation. We moved through some intense existential territory over the course of our 2+ hour session. Some topics we touched on were: Pink Floyd and spiritual awakenings, how to understand the taste of bourbon and scotch, the nature of musical liturgy in contemporary Christianity, the glory and grace of our wives, and our experience of scientific awe.

Here is the resulting portrait:

IMG_8350Portrait of a Man (Bobby Schembre, 2/24/2014). Pastel on Stonehenge Paper, 22 x 24 inches, 2014. (Click for enlargement)

Bobby on musical liturgy and storytelling:

“I love the fact that we talk about how God is holy and untouchable and yet He’s here and gracious. It doesn’t make any sense really. Or that He’s indescribable and infinite and then we turn around and spend the rest of the service describing Him.”

“Part of the reality for me is that I can’t believe the bible or have a real experience of Christianity without being OK with deep tension. Everywhere, everything has a balance to it. Everything has a paradox involved in it. Nothing is just something you could put in a box and tie it up neatly and say, ‘I’ve got this.’ When we explore something about God there’s something else that makes us think, ‘well, what about this?’ And so one of the things I’m always thinking about in creating a musical liturgy is how can we expand the way we think about God, uphold the paradox, and marvel at the paradox of God.”

“I’ve been pondering my job as a ‘worship leader’ – which is just something we’ve made up – you know, what is this? I think part of the answer is that I’m a storyteller. I’m helping people think the story and sing the story of the gospel. It’s practicing a pattern.”

Bobby, with his manly beard and barrel chest reminds me of a few other bearded big men of history…

spurgeon_chair1Famed Christian pastor and author, C.H. Spurgeon

portrait-of-sculptor-james-vibertSculptor James Vibert by Ferdinand Hodler

Repin-portrait-of-the-composer-modest-mussorgsky-1881Russian Composer Mussorgsky by Ilya Repin

Also, there’s this great Portrait of a Man from the collection of the Art Institute of Chicago. Click to check it out.

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Thanks for being a part of this portrait series, Bobby!

The Fine Arts Building Has Never Seemed So Mysterious

My current crop of Beginning Drawing students at Mizzou are doing some great work. Below are just a few of their Interior Space drawings – these works are their first attempts at realizing accurate perspective and accumulation of value. I think this group of (mostly) non Art Majors is doing nicely.

IMG_0381Cailin Carter

IMG_0386Jane Grossman

IMG_0387Libby McKown

IMG_0389Tayler Newcomer

IMG_0392Jordan Giljum

IMG_0390Mandy Lupardus

IMG_0388Blessing Ikoro

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It’s shaping up to be a great semester!

Chris Ware, Ox-Bow, and a Drawing

Back in 2001 I was awarded a Fellowship Residency at Ox-Bow in Michigan (you can read more about that transformative time here). This was a time before browsing the internet by phone from basically anywhere was even possible; hell, I didn’t even have cell coverage there. There was only one internet connection accessible at Ox-Bow and that was via dial-up.

In the Inn (before renovations that happened back in 2004 or 05), there was a small desk tucked into a corner where people would use the phone to call home or connect their brick-like laptop to the web for a few minutes. I had quite a few late night phone chats there with my then-girlfriend/now-wife after which I’d use the phone jack to log into my email for a sending/receiving session.

One evening I walked into the Inn to see Chris Ware sitting at the desk, talking on the phone, and making a small drawing on a scrap of paper. Mr Ware, a famed-though-awkward comic book artist who had created the fantastic Acme Novelty Library series and the graphic novel Jimmy Corrigan, the Smartest Kid on Earth (Among many works. You should look at them – they’re quite profound and beautifully made) was at Ox-Bow to give a talk. And there he was: silent, hunched, and seemingly distracted from his phone call. His pen moved gently, pensively. His paper skittered over the pitted wooden desktop.

We – those who had to use that desk and that phone because no other forms of communication with the outside world we available to us – had been used to sketching absentmindedly while sitting there. I had drawn many a cartoon self portrait during that summer. Often our drawings would join together, becoming layered time capsules consisting of blue and black ink. Mr Ware’s sketch was added to the desk drawer to be subsumed into the mass of other drawings.

Some time later – a day, a week – I found myself rooting through the drawer for a paper upon which to put my jottings, and there was Chris Ware’s drawing. On a 4 by 3 inch scrap of Ox-Bow map (verso) a weary figure, perhaps bemused but certainly full of existential angst (a stylized self-portrait of the artist?), sat before an anachronistic rotary phone. The expression of the man, the drawing’s line work, and the overall feeling of the piece are all quintessential Ware.

And so, here it is for your enjoyment:

ChrisWareDrawing2001Both sides of a piece of paper with a drawing by Chris Ware on it. Ink on paper, approximately 4 by 3 inches, 6/21/2001.

A Year Ago Today, Part Two

Well, it has been a year. A strange-yet-beautiful, tearful-yet-joyful, amazing-grace kind of year.

How do you mark that time? In stories that bear witness to the hard things as well as the sweet moments? With lines indicating growth? In snapshots of little girls becoming sisters or ecstatic family gatherings?

I think I’ve been more eloquent in the past. Today I’m just thankful and blessed. I’m not the best dad, but I’ve worked hard at it. And I think being a dad to two amazingly epic daughters has made me better – more – than I thought I could be. In all of this I’ve gotten to see my wife gloriously work divinely-appointed magic as a planner-of-life, kisser-of-wet-cheeks, and encourager-of-all.

How do I mark this time? I think I’ll go left-of-center:

chinamoneyClick on the image to see these up close.

These are four pieces of “Chinese money” that my daughters have payed with a LOT in the last year. They are, obviously, not real currency. Instead, they are three wet-wipes that came from various hotel rooms or restaurants we visited while in China. And that one covered in duct tape? That’s a strawberry Nutri-grain bar in there; it’s seen better days.

There’s something about their play money that’s joyous and fun. We’ve worked to keep the memory of our time in China alive,  as well as the anticipation that we’ll return again soon. Little indicators of that hope are all over our lives, even seemingly-insignificant ones like these playthings.

So here’s hoping for many, many more years to think back on what has been and look forward to what will be. What a good year to be a family of four.

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PS: We’re celebrating over at the Etsy shop with super-discounted artworks – maybe you’ll find something you like?

Multiples of 18 Celebration

In just four more days – February 18 – we’ll be celebrating the year anniversary of becoming a family of four! It’s hard to believe that on this day a year ago we were walking the streets of Beijing and taking in the sights and sounds of China! The time has really flown and so much has happened! So many people helped us get to that adoption day and then continued to support us over the last year. It’s truly been a year of serious joy and strange challenges.

To mark this event with some art I decided to have a Studio Sale – and everything is going to be priced in multiples of 18 (February 18, multiples of 18… see what I did there?)

Anyway, stop over to the Etsy Shop to see what’s new over there. All the work will go back up to “normal” prices next month, so get some glorious imagery while you can!

Below are a few of the pieces you could be hanging in your place for next to nothing – click them to see their Etsy listing.

IMG_8181Lewis County, NY. Pastel on paper, 16.5 by 22 inches. 2013.

CAL-workshopUntitled Pastel Workshop Demo. Pastel on paper, 30 by 22 inches. 2013.

The Star Road

A little more than two decades ago my cousin Chris and I began to take long drives northward from our home in central New York State. We almost never went south. There were many adventures on those forays; our families knew what it meant when we said we were going “up North.”

StarRoadThe Star Road’s length over the geography of New York State

Many hours of conversation accompanied the drives, as did many hours of silence or reverie to the music we loved then. Over time the purpose of these trips showed itself in clearer and clearer form: the road was for a kind of tandem contemplation of what had been before us, what lay beyond us, and what was permeating our existence. We drove north to explore. Though moving through space we were motionless and silent in our souls. We found transformation and dreams along the road.

Untitled-14Heading out in the mid/late 90’s in Christopher’s old Nissan pick up truck

One of our favorite routes is an iconic stretch of highway that runs nearly 250 miles through the interior of New York State. State Route 3 begins (or ends, depending on your perspective) near Fair Haven State Park, practically in sight of the southeastern end of Lake Ontario. After a short jaunt eastward, Route 3 turns emphatically north and holds the eastern shore of Ontario for 60 miles. The road’s great northeasterly meander across the deep woods, lakes and mountains of upstate New York commences in historic Sacket’s Harbor, soon passing through Watertown and Carthage, then running just to the south of the Fort Drum Military Reservation. Roughly 70 miles from the streets of Sacket’s Harbor, Route 3 enters the great Adirondack Park.

Untitled-31Chris adjusting his old Pentax SLR during a photo stop, 2003 or so.

Just near this entrance to the Adirondack Park sits the hamlet of Star Lake and its eponymous body of water. The section of Route 3 that runs between Star Lake and Tupper Lake is majestic and ephemeral to drive at night. Tupper Lake is a crossroad of sorts, situated as it is along Route 3 running east/west and other routes running north/south. Though it is often a center of activity in daylight, especially in the summer months, Tupper Lake in the twilight – or at midnight – is glorious. The ancient, rounded-off Adirondack Mountains seem to circle in and provide a black frame for the jeweled vault of the sky. Chris and I have seen this many times.

This effect – a dark horizon circumscribing the grandness of the Milky Way, or Polaris, or Cassiopeia – is perhaps the reason why we started calling Route 3 “The Star Road.” It could have been the presence of Star Lake near the entrance to the Park. It might also be that there are, in fact, two real Star Roads off of Route 11; one between the towns of Malone and Ellenburg along a stretch of Route 190 and the other very close the border with Canada on County Road 17. We’ve traveled both of those roads and they could have influenced us.

Untitled-1A dusty old photo of the shore of Lake Ontario near Cape Vincent

Whatever the reasons, we spent many a dark, snowy night driving along Route 3, or glimpsing northern lights amidst the summer stars beyond Saranac Lake. The ending – for us – was to either come into Plattsburgh then strike a new route home, or to break off The Star Road early and head north toward Malone or south toward Lake Placid and Mt Marcy. There were many nights we merely ran along Route 3 for a short distance beside Lake Ontario, then slipped onto Route 12E from Watertown up to Cape Vincent. There, at the inflow of the St Lawrence River, we’d creep out of Cape Vincent toward Tibbetts Point to sit beneath the lighthouse with all of Ontario spread out westward before us.

Untitled-3Tibbetts Point Lighthouse near Cape Vincent, NY

I loved those drives and talks and silences. I loved listening to the Chateau D’Isaster Tapes while cruising along, angling across the brow of New York State, and imagining what the future might hold. In some ways these trips are behind us. We have families, homes, and other responsibilities. But I know we both still feel the pull of those hills and lakes and forests. I’m sure we’ll aim headlights northward sometime soon, and find ourselves in dream-driving together once again.

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UpstateNYmapA section of one of the old, fold-able NYS maps we used to use

New Collaboration For 2014

Joel T. Dugan is Assistant Professor at Fort Hays State University in Hays, Kansas, and we have begun a series of collaborative paintings. It was great to meet and hit it off with Joel during my recent exhibition at FHSU, and I’m excited at the prospect of working with him. I’ve decided that, much like my new series of portraits (Becoming the Student), I’m going to keep a record here to show how our work progresses.

The first six pieces have begun, three started by Joel and three started by me. These are the first states of the works. We’ll alternate working over what each other has developed and, hopefully, come to a mutual conclusion about the work.

collab01

collab02

collab03

collab04

collab05

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In other news, I’ve had two pieces of writing made available on the neotericART website recently:

Below the Blue Line: The Recent Work of Allison Jaqueline Reinhart

Trying to Get a Sense of Scale – Tim Lowly’s Precious Labor

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