The Kasper Collection of Contemporary Biblical Art

Over the last five or six years, I’ve been involved with a project by an artist and collector named Jim Kasper. In January 2026, that project will come to fruition with the publication of a new book featuring the work of many excellent painters and drafts-persons. These artists are drawn from a range of generations, backgrounds, and faith traditions, but they were commissioned by Jim to build a current vision of artworks that take on the complex themes and histories that form the bible.

Two incredible essays – as well as writings by the artists themselves – help contextualize the works and elucidate the ways these artists add their current voices to ancient conversations.

Also, as part of the upcoming initial dual-site exhibition in Columbia, MO (more info on that when it’s ready), I am offering prints of 5 of my works in the Kasper Collection. I hope you’ll click below and check them out – it’s always good to support artists instead of billionaires, especially in times such as the ones in which we’re living.

My contributions to the Collection are varied. I was glad that Jim allowed me to pursue more straightforward “traditional” painting, but also to work in relief carving and enigmatic, abstract imagery. With the five images above, I was inspired by everything from Correggio’s Jupiter and Io to the physical stylization in the mythology-based paintings of Kyle Staver. I wanted the works to embrace their illustrative side, with strong visual dynamics, weird bodies to match weird activities, and intense colors.

I hope you’ll take a look!

Mizzou Football All-American Portraits

Since 2019 I’ve worked as a portrait painter celebrating Mizzou student athletes. This last year was a high mark for Mizzou Football, with four of the squad being named All-American.

The University has a posh facility located in the south end zone area of the stadium where they hang all of the All-American portraits, stretching back into the 1930s. The great illustrator Ted Watts (1942-2015) created most of the portraits over the course of more than three decades, so I’ve got a big act to follow.

The All-American portrait wall at Mizzou Football’s South End Zone facility.

The display is pretty cool, and it’s cool to have my work extend that tradition. Portraits of Kentrell Brothers and Harrison Mevis are two of my works currently on display, and four new ones will appear soon (Fall 2024).

When I began to create my paintings, I went on a tour to see the previous works up close and to evaluate the aesthetic through-lines (format of names, dates, poses, backgrounds, etc), as well as the techniques prior artists used.

I take a central role in the design process, creating digital mockups which are approved at Mizzou Football before I begin the paintings. I generally work with ink on paper, which is mounted on panel and sealed, then painted over with layers of acrylic. I try to maintain a painterly quality, with texture and dynamic brushwork on display. I also attempt to bring the digital effects which naturally appear in the preliminary studies into a physical realm with semi-transparent washes of paint.

Working on the portrait of Cody Schrader.

As the projects have developed I’ve found my own approach to the portraits. I want them to have kinship with the portraits of Watts and other previous artists, but I make sure to give the works my own unique inflection.

I’m excited for the new crop to go on display. Kris Abrams-Draine, Luther Burden III, Javon Foster, and Cody Schrader are the 2023 All-Americans for Mizzou Football. See images of the works below, but also be sure to stop by the All-American wall if you ever get into the South End Zone building!

Click on each to see the work larger.

The Ballou Collection – Chris Hall

Chris Hall – Thrustmasters. Oil on panel, 7×10 inches, 2012.

Chris Hall is a great guy. He’s a solid dude. He’s easy to get along with, to talk about Dune with, to consider the pros and cons of kayfabe with, and to think about art with. Back in 2011 Chris came into the MFA program at Mizzou and quickly stood out. Not only was he a good painter with interesting ideas, he was also willing to let his assumptions go to grow. His thesis work was among the strangest and most unique I’ve had the privilege to see. Check out his ongoing work at his website.

Chris has the unique ability to draw out both mirth and serious, intense thought in those around him. I’ve loved partying with him over the years, and I look forward to more fun in the future.

Above: Chris as Nosferatu and me as Igor in a drawing I made… this is how we party, people. Ballou digital drawing, 2017.

I have two artworks from Chris in my home. The first, Thrustmasters, is at the top of this post. And here is an untitled fridge interior from around the same time – 2012 or 2013, just as Chris was moving into his Thesis work.

Chris Hall- Untitled Fridge Interior (Vampiric Food). Oil on panel, 7×10.5 inches, 2013.

Chris is one of my favorite subjects for illustration (I’ve drawn caricatures of my friends, family, and students for many years). Not to be outdone, Chris had me pose for a number of his paintings early on, and those sessions are some of my favorite moments in academia!

Me posing for Chris… meme-ified.

Chris shaking his groove thang… Ballou digital drawing, 2016.

Almost Done…

Just two more mezzotints to print in the Lamentations 3:1-20 series. One is entirely complete while the other is 2/3 done. I expect I’ll be printing them by Tuesday. It’s been epic and challenging working on this series for the last 16 months. In some ways the works are so far outside of my instincts… in others they’re right in line with my sensibilities. I am super excited to see them up in just a few weeks at Gordon College. I’ll post images…