Divine Hammers

As we close out 2018 it’s essential that we make lists. MUST. MAKE. LISTS. I’m just kidding. Most lists suck and aren’t particularly illuminating beyond their constructor’s interests. Which is fine. Interest is good. Passion for interests is good… but some pseudo-official “best of” list doesn’t really offer much of anything to anyone.

Beautiful Collision, graphite on paper, 2009.
Ballou – Beautiful Collision. Graphite on paper, 2009. Private Collection.

Yeah, gotta love that series of drawings I made with Otherworldly Hammers breaking Earthly Bricks to manifest new life…

SO. In lieu of any of that, I wanted to throw out a few of my favorite God Hammers. This isn’t about 2018 in the least… well, it is in the sense that 2018 is when I thought about all of this. The catalyst was the phenomenal limited series podcast by Josh Clark called The End of the World with Josh Clark. You should fire up your chosen pod-reception devices and take it in, because it’s a nice overview of a lot of apocalyptic intensity (follow Josh on Twitter here). I have read/listened to/otherwise become aware of most of what Josh talks about in this series, but his delivery and perspective add to the information in subtle, thoughtful ways. While I was listening, I thought, “Damn, we are gonna need the threat of an Extinction Level Event to get humanity to cooperate on these serious issues… maybe we need a Hammer…”

A Hammer of the Gods, eh? A Hammer of God? A Divine Hammer? Well, let’s see… Here are a few.

1 – The Hammer of the Gods by Steven Davis, 1985.

The 1986 edition of the book, which features an additional chapter.

I was passionate about Zeppelin in my teen years. Among my earliest memories is my dad playing Zeppelin while I clung to his huge Panasonic Thruster floor speakers as a 3 or 4 year old. From age 13 to 18 or so I had those speakers in my room on the second floor of our now-destroyed homestead on Wolcott Hill Road in Camden, NY. That’s where I listened – even after my mom threw out my Zeppelin cassettes.

I was both curious and afraid to read the story behind the Mighty Zepp. Would their debauchery be too much for me? I listened to key tracks while reading the book and found that the context and back-story brought more mystery to the songs rather than diminish it. Ultimately the cacophonous roar of their hammer would fade… yet its ring still permeates music and performance of stardom.

2 –  Divine Hammer – from the album Last Splash by The Breeders, 1993.

Mmmm… sticky, icky, icky…

“I’m just looking for a faith
Waiting to be followed.
It disappears this near.
You’re the rod, I’m water!
I’m just looking for One
Divine
Hammer!”

The Deal twins…. Kim and Kelley, alcohol and heroin, chunky bass and crunching guitars. This album is one of the main sounds of my high school years. There are very few things that remind me of smoking and – momentarily – make me want a smoke, but one is the opening of this album… Watch this document of early 90’s slacker-cool:

“You’re the rod, I’m water!”

3 – The Hammer of God by Arthur C. Clarke, 1993.

Now we arrive at the real deal, a novel by one of the great artist-scientists of the 20th century, Arthur C. Clarke. I read this shortly after high school while working a job cleaning mall parking lots in the middle of the night – the perfect time for existential dread. Here’s the basic run down: A big space rock is going to hit us. If we don’t cooperate there won’t be any earth – or life for that matter – to continue our petty squabbles about. We figure something out, but the religious nuts mess up the plan… so our hero has to step in with a fun little last minute intervention to save humanity.

One of Clarke’s last… a good one.

There you have it. The Hammer of metal excess. The Hammer of doubt-laced-seeking. The Hammer of an indifferent cosmos. Go listen to Josh tell you all about the End of the World, and feel free to round our your experience with one of the items listed above. You’ll enjoy it.

Peace out, 2018.

My End of the Year List for 2016

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End of year lists are jerky and predictable, and so I generally make fun of them while joining in. I almost always turn away from the year in question and just make a general ranking. I also like to make a list of material that’s been endlessly parsed already. Click on the linked songs to listen.

Today, I’ll be putting my own order on the nine studio albums of the great Led Zeppelin, a band I grew up hearing (one of my earliest memories is listening to records while standing against the Panasonic Thruster speakers my dad had). I’ll throw in a bit of commentary as I go. Happy New Year, folks!

Rank | Album Title | Order of Release | Release Date

9) Led Zeppelin I: 1st release – January 12, 1969

Key Track

  1. Your Time Is Gonna Come

8) Led Zeppelin II: 2nd release – October 22, 1969

Key Tracks:

  1. Whole Lotta Love
  2. What Is and What Should Never Be
  3. Bring It On Home

7) Houses Of The Holy: 5th release – March 28, 1973

HotH has a great opening quartet of songs; for me it is essentially tied with Zeppelin IV. Its drawback is a weaker second half, particularly (to me) Dancing Days and The Ocean.

Key sequence:

  1. The Song Remains The Same
  2. The Rain Song
  3. Over The Hills and Far Away
  4. The Crunge

6) Led Zeppelin IV: 4th release – November 8, 1971

This record is Zeppelin’s most well known. It’s classic and iconic, and always worth returning to listen to again. Four Sticks is, however, the real standout for me over time.

5) Led Zeppelin III: 3rd release – October 5, 1970

Obviously Immigrant Song is the most popular song here. But Track 5, Out On The Tiles, is my favorite. It’s all strut and bombast, much like Zeppelin was during this period of time. The stylistic development from 1968 to 1970 is mirrored across the songs of Zeppelin III. I especially love the weirdness of the final track, Hats Off to (Roy) Harper.

4) Coda: 9th release – November 19, 1982

I love Coda, a posthumous offering from Page and the boys. Basically a complication album made from unreleased tracks recorded during sessions for previous records, Coda shows how even the cast off bits from Zeppelin’s oeuvre were damn fine stuff. I really enjoy the opener (We’re Gonna Groove) and closer (Wearing and Tearing) of this fast-paced charge through the band’s years.

3) In Through The Out Door: 8th release – August 15, 1979

I am a sucker for the ballad/love odes All My Love and I’m Gonna Crawl on this album. But the epic core of In Through The Out Door is Carouselambra. This 10 minute powerhouse is a journey all its own. It retains its energy and over-the-top spectacle, and it sits next to Kashmir and The Song Remains The Same as an example of the real creativity and showmanship of Led Zeppelin.

2) Physical Graffiti: 6th release – February 24, 1975

Physical Graffiti was my main Zeppelin choice during my teens and early 20s. If I could go back and hear Kashmir completely fresh again I’d do it in a second. So many great memories… Also huge for me are In My Time of Dying, In The Light, and The Wanton Song.

1) Presence: 7th release – March 31, 1976

My go-to Zeppelin album over the last decade or so has been Presence. It is huge, sweeping, and doesn’t shy away from a kind of nerdy excess that would eventually be the realm of Prog Rock. In the 1970s they made most of this stuff without irony, and so the Genesis, Yes, Camel, ELO and King Crimson (etc, et al) albums of the 70s were earnest. In Presence there is a seriousness that, perhaps, earlier records didn’t always have. To me, you just can’t get more quintessentially Zeppelin than For Your Life, Royal Orleans, and Nobody’s Fault But Mine. It’s just about perfect.

Key tracks:

  1. Achilles Last Stand
  2. For Your Life
  3. Royal Orleans
  4. Nobody’s Fault But Mine
  5. Candy Store Rock
  6. Hots On For Nowhere
  7. Tea For One

Have you seen the bridge?