The Garage Cheese Tale

As 2023 rolls toward an ending, I want to share with you something I’ve been keeping to myself for a few years now.

Go back to the beginning of the pandemic. Schools closed. Information and misinformation flew back and forth. Of course everything was a political dumpster fire; a pervasive heaviness spread over the land. And don’t even get me started on the ritual of using disinfecting wipes on every square centimeter of grocery item delivered to our front door. Even on nature trails and in wild spaces we were warned to keep spectacular distance from each other.

It was the weirdness of being told we shouldn’t use the nature trails for hiking or triking that caused me to consider using the Hitt Street Garage as a place to get my miles each day. School had closed in March, and after finishing up that semester remotely I began to spend time in the garage. There were no cars there, and often my children got some out-of-doors time in by riding their bikes around the middle levels while I walked (click here to see evidence of one of my first workouts in the garage).

By the time May ended I was going to the garage several times each week. It was then that I took special notice of a denizen of that forsaken building: the cheese. That’s right: a slice of processed cheese product cheekily flung off a take out burger and – somehow – perfectly caught on the concrete wall. It was THE garage cheese.

I had seen it earlier in the year – perhaps the first week of March. I had no solid idea how long it had been there, but it was leathery and tough (yes, I touched it). It might have been there a month or two. It still had the strong, unnatural hue I’d come to expect from cheese like this. At first it was just a funny bit of ephemera living in the garage, much like the plethora of unused .223 bullets, spent CO2 cartridges, or carcasses of baby birds that hadn’t made it through the summer heat. But as I passed the cheese over and over again in my rounds up and down the floors of the parking garage, it began to take on more and more importance.

Crazy, right?

I shared my observation of the cheese only with family and a few close friends; I didn’t want it to be disturbed. Being early in our collective quarantine, I felt sure the cheese would be safe. But I was keenly aware that once things went “back to normal” there would be some frat-bros carousing in the garage. There was no way the cheese could survive the onslaught of undergraduates! I just wanted to see how long it would last, and I didn’t want any human intervention. There was an alchemy taking place between the cheese and the garage, a synergy that must be allowed to continue! I was committed to no engagement other than photographic documentation.

The Garage Cheese on September 12, 2020. Ballou.

I began taking periodic shots of the cheese, with my first one from September 2020. I know I took earlier images, but I didn’t see the cheese as anything more than a humorous curiosity then, and so didn’t save them. It wasn’t until March 2021 that I made the decision to document the state of the cheese monthly, as well as make periodic check-ins every other week or so. I viewed the month of March as the anniversary of the installation of the cheese, and it felt right since that was when Mizzou closed down. In a way, the cheese was a physical artifact of the many ways in which COVID altered our experiences of life.

Over time, the cheese itself began to change. Flexing with the heat and humidity, cracking under the pressures fighting against its preservative-laced body, the cheese maintained its grip on the concrete. Something in the material nature of the porous wall and the glue-like substance of the cheese made their union not only possible, but hearty. By March 2022 the cheese was gnarly and swarthy, hung all over with dust and the debris of generations of spider webs. The darker coloration made me feel more secure that people wouldn’t see it.

This was important, because life was returning to the campus. The garage was being used more and more. By the fall semester, most people felt safe teaching and learning in masks. This was a tense time for me. I began to check on the cheese several times a week, certain that it would be gone one day. I took to obtaining photos of the cheese only when I would not be observed. I didn’t want my attention to a seemingly nondescript section of the garage to draw others near.

The Garage Cheese on March 14, 2023. Ballou.

I got a bit more intentional with the photography in 2023. The shot from March that year is particularly nice. I began to think the cheese really would make it to the four year mark. People encouraged me to post about the cheese, to make an Instagram account for it, even to mark it on maps. But I knew there would be time later to show folks where it had been. I wanted it to make four – maybe even five – years! As Thanksgiving passed, I felt more confident than ever. After the first day of graduate reviews on December 1st, 2023, I made a pass by the cheese for my December check-up. It looked robust, confident. It was ready to press on toward another anniversary upon the wall. So it was that when the second day of grad reviews concluded on December 8th, I took one of my grad students over to see the cheese. I figured I could share the glory with more people. Surely that would be okay.

THE CHEESE WAS GONE.

Astonished, I rushed out to investigate the scene. There, amid a thick mass of trash and various organic detritus, rested the cheese. It was in a gap between the wall and the floor, and it seemed to be intact. No one had abused this artifact; it had let go of the wall on its own. Its time was up. The race was won.

I carefully rescued the cheese. It was rough and hard, as dense as holding a fragment of bone. Yet, like bone, I perceived it would be brittle. Maybe it had been the dusty garage trash that provided a soft enough landing to save the cheese from breaking against the concrete. Whatever the reason, after nearly 45 months on the wall, the garage cheese was now mine!

The Garage Cheese, framed in a shadowbox on December 26, 2023. Ballou.

I quickly collated my photos of the cheese and obtained a simple shadowbox frame for it. Now safely transferred to the wall of my studio, the cheese can exist in perpetuity, assured the status of a protected relic. As part of the process of documenting and celebrating the garage cheese, I have created the GIF below. I did a modicum of image adjustment so that you can get a sense of the changes that happened over the course of the years. Of course, it’s not perfectly color-corrected, nor entirely aligned for precision, but you can definitely get the sense of how the cheese transformed.

While the cheese itself has left the Hitt Street Garage, there is something that remains behind: a kind of oily stain is still quite visible on the wall of the garage. If you look in this wide shot below, you can see it just a bit left of center. Follow the inner vertical line of the leftmost column downward, and you’ll notice the apostrophe-like arcing shape. That’s a ghostly shadow of the cheese, somehow still clinging to that precarious perch.

The location of the Garage Cheese, photo taken on December 26, 2023. Ballou.

Click below to take a look at a curated selection of the cheese. If you’d like to purchase a print of one of these images, send me $20 on Venmo (here), and I’ll mail it out to you. Just be sure to tell me which one you’d like.

The distance between months and years, and all that we did and saw and felt… in one image. Maybe I should do some risograph prints of these, too… On to 2024!


A final thought, as I sit here with family and smile at my cheese…

Here’s hoping your ’24 is joyful, safe, and peaceful. We know it probably won’t be, though. At least not for most of us. So why do I offer the above trifle about faux fromage? Why present some cast off cheese as a visual metaphor or point of access for meaning? Well, I think the greatest part of our human experience is in the realm of attention. I teach my students this, and I try to teach my own children it as well. When we are attentive to the world around us, when we believe in the value of observation and awareness, then we are most able to be both realistic and hopeful. It is willful ignorance or chosen obfuscation that breaks the social contract, that causes us to care less about each other and the world.

We are living in times of serious violence against not only people but against our ability to apprehend true things. We desire to be told what we want to hear, rather than what we ought to hear. We ignore what should be seen straight on, seeking instead things that distract us from beingness. These are our great sins, particularly in America. We have allowed our politicians to be criminals. We enable them and they stroke our egos in return. Our domestic and foreign policies – for all of our posturing to the contrary – are not “pro-life.” We have become the arm of death. We resist over and over the chance to do what is right, because we know that will make us feel a little uncomfortable. Our comfort is our chief aim, and it’s obvious.

In light of all of that, perhaps everyone would do better to pay close attention to their own version of garage cheese. I hope we can get started on putting our collective house back in order in 2024.

Peace.

BECOMING THE STUDENT #29: Michelle

I’ve known Michelle for many years now. She’s been a central part of the local art community for all of that time, and a dedicated student of painting as well. Beyond this, Michelle is someone who always has a kind word, and her encouraging, affirming presence is something everyone in our town knows about.

She also used to be my friend Mike, who I drew for this series here. Obviously, I will not try to tell Michelle’s story. It’s not mine to communicate. But I did think it would be appropriate to place a new portrait here in the Becoming the Student group.

Portrait of Michelle R. Seat. Procreate, iPad Pro. 2022.

Since I’m an educator, I’m sure you can imagine that I come into contact with many LGTBQ+ folx. Particularly in the last decade I’ve worked with trans people in a few different contexts, but most often in the graduate program where I teach. Just like anyone else who is human, the trans people I’ve known have exhibited a wide range of personality and affect.

Everyone comes with their own traumas and triumphs, their own unique inflection on life. And the fact is that simply being human is hard. People have to come to an understanding of themselves for themselves, and my primary obligation to those around me is to be kind. While that strategy hasn’t always worked, I think it’s an important guideline. And it’s framed the way I teach and the way I interact with people. It’s not up to me to define anyone else; it’s up to me to be kind and helpful.

DETAIL of Portrait of Michelle R. Seat. Procreate, iPad Pro. 2022.

(That’s central to how I see education. My teaching philosophy includes the concepts of “facilitation, encouragement, and tact.” It’s important for my interactions with people – especially students – to function as opportunities to support and enliven them. I want to aid their ability to understand themselves and help them develop strategies for building creative points of contact. Art – or really any form of communication – is worthless if it doesn’t offer access points for others.)

So, I offer up this new portrait of Michelle in celebration of her humanity and her winsome, joyful presence in our community. I did interview her for this entry in the Becoming the Student series, but I have decided to let that conversation stay just between the two of us. There are as many ways of being human as there are humans experiencing being.

DETAIL of Portrait of Michelle R. Seat. Procreate, iPad Pro. 2022.

…all is transformed, all is sacred,
every room is the center of the world,
it’s still the first night, and the first day,
the world is born when two people kiss,
a drop of light from transparent juices,
the room cracks half-open like a fruit
or explodes in silence like a star,
and the laws chewed away by the rats,
the iron bars of the banks and jails,
the paper bars, the barbed wire,
the rubber stamps, the pricks and goads,
the droning one-note sermon on war (…)

the invisible walls,
the rotten masks that divide one man
from another, one man from himself,
they crumble for one enormous moment and we glimpse
the unity that we lost, the desolation
of being man, and all its glories,
sharing bread and sun and death,
the forgotten astonishment of being alive;

to love is to battle…

From SUNSTONE by Octavio Paz, 1957


Seize The Sixth, Again

Background

Eric L. Sweet left us suddenly on April 6, 2015, at age 44. Sweet was a beloved member of the MU Art faculty, having worked at MU since 2012 as an Adjunct Assistant Professor, teaching Printmaking, Drawing and 2-D Design courses. He was an alumnus of the Art program, having earned both his BFA (1997) and MFA (2011) from the University of Missouri. In 2008, he received an MA in Printmaking from the University of Missouri-Kansas City. Sweet was an active member of the Southern Graphics Council International and the College Art Association.

The “Running Devil” icon that was embroidered on one of Eric’s shirts.

To celebrate Eric’s life and positive role as an educator, Sweet’s wife, Catherine Armbrust, established The Eric Sweet Exhibition & Speaker Series to continue passing on his gift. I have created a series of work celebrating Eric almost every Seize the Sixth, and this year is no different. I will be donating 100% of the sales of these pieces to the Fund. This program was created because he strongly believed in the importance of community accessibility to art and encouraged meaningful conversations about the state of contemporary art. Funding this annual exhibition and speaker series for the gallery is the perfect way to make contemporary work accessible to the MU and Columbia communities, and to honor this special man who made an impact on so many lives. In fact, the initial funding goal was met in 2021 and the very first iteration of The Eric Sweet Exhibition & Speaker Series took place on December 6, 2021. See the exhibition poster here.

Look over my limited series of CNC relief cuts, posted below. If you’d like one, contact me. You’ll get an icon of Eric’s life and students and community members will get to see art because of the donation I make from the sale. As Eric (and his 4th grade teacher) might say, “You don’t HAVE to, you GET to.”


The Artwork

I’ve made eight artworks for Seize The Sixth this year. There is one group of five CNC relief cuts that feature the classic “running devil” icon that Eric had embroidered on one of his work shirts. Below the devil is featured part of Eric’s axiom, “YOU GET TO.” It’s a proclamation of hopefulness and gratefulness. Here’s a detail of the Running Devil carving if you want to see a close up view.


There are three of these – just the Running Devil without the text.

How to get one?

I can take PayPal, CashApp, and Venmo (click each for a link to my info). If you’re local you can give me cash. The cost $50 each for these. Ones with text are 5.25×5.75 inches and those without text are 4.5×5.5 inches. Each piece is made on a PVC sheet and painted in gold spray paint. Each is signed and numbered. The ones with text are numbered 1 through 5 and the ones without text are numbered 1 through 3. First come, first serve. Feel free to email me if you have any questions – balloum (at) missouri (dot) edu.

Why no Sweet Audio this year?

Most of the time I’ve been able to put together a compilation of classic Sweet audio clips. Unfortunately, I couldn’t find any more usable clips this year. There’s a chance I still have some in the depths of my files, but I just couldn’t locate anything for this year. In lieu of that, please head over to SoundCloud and check out the previous years’ offerings!

Ballou SweetTalk collections for 2018, 2019, 2020, and 2021.


Now, go Seize the Sixth! Remember… you don’t HAVE to, you GET to!

From Then Til Now

Twenty years ago today I met my future wife for the first time… she had just turned 16 the day before.

Hard to believe from looking at this image that we would end up becoming friends, dating, marrying, and traveling the world on weird adventures…

We had this amazing few years I like to think of as “The Cute Years” – when I was still a beautiful baby. She’s always been a beaut. Look at this:

Undergrad Date Nights…

The night was sultry… SULTRY, I SAY!

SO INNOCENT!

Being six years older than her, I was able to go to both her high school dances AND her college dances… I’m not sure what we were thinking with that garter thing… hmm…

Ah, Chi Omega, the cult sorority that Alison was in back at Northwestern…

We did fun things, like attend fish-eyed art openings…

…and read aloud – A LOT. How many books have we done this way, honey?

Through it all, it was you and me. Twenty years. There’s been a lot of hard stuff, but a whole lot of good. I’m so grateful for you.

xoxoxoxoxo

Inspiration – Miranda Grace Ballou

Miranda Grace helping me with my large mural project, 2018.

My first born child is a spitfire eight year old. She’s great at math. She’s dramatic and feels all the things SUPER intensely. She’s a very good swimmer (winning some heats locally) and is the unequivocal leader of her siblings. She loves horseback riding, Transformers, and Narnia. She has always been a passionate creator; she’s burned through reams of paper and thousands of pens, pencils, and markers. She LOVES joining me in the studio. Recently she helped me out with a large mural I’m working on. She’s a pretty amazing kid. Here’s some of her recent work:

Miranda Grace Ballou. Untitled Abstraction. Acrylic on cardboard, 24×18 inches, 2018.

Miranda has started to get very interested in symmetry and creating katywompus abstractions based on a kind of ‘across the surface’ balance. I really like these. Here are a few more.

Miranda Grace Ballou. Untitled Abstraction. Acrylic on MDF, 20×23 inches, 2018.

Miranda Grace Ballou. Untitled Abstraction. Acrylic on MDF, 6×13 inches, 2018.

Miranda Grace Ballou. Untitled Abstraction. Acrylic on panel, 16×20 inches, 2018.

My daughter is also very much into working with fabrics and paper. She creates books – stories of every day events – and illustrates them. She makes games, and cuts out all of the pieces and creates the rules. She has made costumes, crowns, and jewels – all out of paper. Cardboard boxes have become space ships and forts. Recently she created – totally unprompted and with (as far as I can tell) no context – a sort of paper and fabric piece that functions as both a wall hanging and a skirt. Check it out.

The front side is pictured here on the left. The verso is on the right. When I was taking these photos she was annoyed that I wanted to take a picture of the back, but it’s amazing. She’s using staples to hold layers of various fabrics, paper, adhesive stickers and sheets, as well as post-it notes and tissue paper together. When hanging, she says it’s titled The Straightened Skirt. In this form it’s about 50 by 10 inches in size. Here’s Miranda modeling it in skirt mode:

 

Anyway, I think she’s pretty awesome. Each of my kiddos has been inspirational, and I expect they will all eventually have their own spot on my blog. I’m so thankful for these kids and their creativity and powerful presence in my life. They have made my work and teaching so much more rich and strange.

An Update on my February 2016 Resolution

Of the last 685 days (since my heart attack), I’ve worked out on 627 days, beginning the second week of April – those early months were light. I worked out exclusively under supervision by the Cardiac team at the University of Missouri Hospital. After 12 weeks of observed/monitored exercise, I was cleared for doing it on my own.

By September 2016 I tried to do a heavier workout every other day. In January of 2017 I began to do those workouts daily. I am up to 359 days (including today) of “full” work outs – 45 to 60 minutes of elevated heart rate and an average of 4.6 miles of walking/running. Maybe that doesn’t seem like much. Even to me it doesn’t seem like a lot… but when you factor in my medications and how they change my energy and recovery, as well as the time it takes to get to and from the gym, shower, coordinate schedules with my wife and kids and teaching… yeah, it’s a major commitment.

In the past when I was more of an athlete and worked out consistently (before we started a family), my endurance and strength were much higher than they are now. But I’ve always been prone to overuse injuries – both rotator cuffs have problems from those years in my late 20s/early 30s when I lifted weights. Now I work on weight machines for only a small portion of my workout and try to keep impact to a minimum. I generally cycle through squats at 80% of my body weight (I press between 180 and 210 lbs), pectoral presses at 120, 100, and 80 lbs, curls at 100, 90, and 80 lbs, abdominal crunches at 150, and tricep presses at 150 and 130 lbs. The most important part of this work out is the squat portion, since my hips, knees, and ankles are pretty weak and painful. I’ve definitely grown in strength, endurance, and bodily comfort over the last year. I feel better than I have in 5 or 6 years.

Most of my workout time is spent walking, running, biking, or using an elliptical (I cycle through the different exercises over a few days). I also do some rowing and stair stepping from time to time.

So what’s the point of sharing this? I don’t have any big triumphs. I’m not reaching my ideal weight. I’m not prepping for a marathon. I’d be one of the first to be cut down in the Zombie Apocalypse. I still struggle with eating right (though we are mostly vegetarian in our daily diet as a family). I still love beer and carbs. I’m not sure that all of this effort is really helping me physically. But I do feel my awareness of my self and my experiences of living are more present in my mind these days. I do think it makes a difference for my heart health. Beyond all of this, though, the time spent working out is time for reflection and thinking about what interests me. It’s personal time. It’s mental health time.

Now if I could only manage to sleep more…

Of Peacocks and Bovine Interlocutors

About this time last year my wife informed me that I was going to be joining two of my friends for a couple days in the wilds of Missouri for an early new year refreshing session.

Bobby and Billy, two of my surest friends of the last decade, put together a little jaunt to a secluded farm AirBnB location. In spite of my trepidation at forgoing my social media habit, I jumped in the car with them.

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It was a few days of quiet time in the brisk air, solo contemplation, good food, good beer, and serious conversation about the deep issues of life.

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It was life-giving. I’m thankful for these guys, and so many of my other friends. Even though we have families and responsibilities and stresses, there is a core of intentional care there.

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In many ways I’m not a great friend. I’m barely hanging on sometimes. I need to be a halfway decent teacher and dad. I wish I was better at both. I wish I was a better husband. But times like this, when I can be honest and straight with people I trust… they make a huge difference.

I’ve been fortunate to have had times like this with a few solid friends throughout the years, and I’m grateful. I’m thankful.

I look forward to the next time, when the peacocks roost in the trees and the asparagus spits on a midnight grill.

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And when the bull makes a visit, in more ways than one.

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One Year After

It has been a year since my heart attack. Since my cardiac arrest. Since the trauma I don’t remember and that my family saw. Since members of my family kept me alive until the EMTs arrived. Since the radical changes of diet and lifestyle. Since the shift in horizon.

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Three days before that I lost my big sister; a life of incredible value and service, gone. Two months afterward my estranged step-father died; a life wasted in self-concern and alcohol.

How would people have summed up my life one year later, if it ended that night?

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Since I didn’t go, I have to assess it myself. I know my life has been valuable. I know I have taken deep draughts of experience and thought. I have been astonished. I have been disappointed. I have known love and sacrifice. I have seen things that made me cry in sorrow and weep in happiness. I have tried and failed, then barely hoped and succeeded. I have yearned and yearned, in spite of cheesiness or irony. I have worked so hard and received so much through no merit of my own doing. I have believed and doubted. All through I have attempted to be honorable and careful, passionate and present. Sometimes I have succeeded.

img_0200I am SIMUL IUSTUS ET PECCATOR.

I am AGATHOKAKOLOGICAL.

I have tried to understand what it all means. I still don’t. But I think I have some sense of how it feels.

~

It feels a little like these songs (click the titles to listen):

 

At Last

I can say that I’ve lived here in honor and danger

But I’m just an animal and cannot explain a life

Down this chain of days I wish to stay among my people

Relation now means nothing, having chosen so defined

And if death should smell my breathing

As it pass beneath my window

Let it lead me trembling, trembling

I own every bell that tolls me.

 

Fox Confessor Brings The Flood

Driving home I see those flooded fields

How can people not know what beauty this is?

I’ve taken it for granted my whole life

Since the day I was born.

Clouds hang on these curves like me

And I kneel to the wheel

Of the fox confessor (on splendid heels).

And he shames me from my seat

And on my guilty feet

I follow him in retreat…

What purpose in these deeds?

Oh fox confessor, please,

Who married me to these orphaned blues?

“It’s not for you to know, but for you to weep and wonder

When the death of your civilization precedes you.”

Will I ever see You again?

Will there be no one above me to put my faith in?

I flooded my sleeves as I drove home again.

 

A Widow’s Toast

Specters move like pilot flames

Their widows toast at St. Angel.

Better times collide with now

The tears are warm, I feel them still.

They’ll heat to vapor and disperse

And cloud our eyes with weary glaze.

You raise your glass and may exclaim,

“I’ll put my hands on the truth, by God!”

But it’s faster, love, than you and me –

Faster than the speed of gravity.

That’s how it catches you from falling

And how it always, always, always slips away.

Specters move like pilot flames

Their widows toast at St. Angel.

Better times collide with now

And better times

And better times

Are coming still.

Neko knows what to say.

~

I find attention, clarity, and rightness in teaching. I find wonderful confusion in my art-making. I find solace and laughter in my wife. I find a strange wine of joy and frustration in my children. I feel both lost and found. I feel both at home (warm, in bed), and far away in the dark (clouds, wind). I’m in orbit around a great truth and yet my tether is strung out miles from safety.

Believe it or not, all of this is so much better than the 3 or 4 years before the heart attack.

I know that some would want me to declare something, some truth, some more faithful words, some thoughts that sound more spiritually centered. I’m sorry.

Today, I want to take the lessons – the cumulative astonishments of being – as they come. I want to have joy and camaraderie in my students. I want to be gentle and full of wonder with my children. I want to continue to cherish my wife. I want to be a better husband, father, son, brother, artist, teacher, mentor, helper, and friend.

No regrets. I have not loved every moment, but I have been given such grace and love. I’m thankful.

~

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Becoming The Student: Jacob Luis Gonzales

“Right now I have a Left Ventricular Assistive Device (LVAD) helping my heart function. When the doctors at Barnes Jewish Hospital originally put this device in my body they said I had a 50% chance of living with it until July 2016, and I recently heard this a couple of weeks ago. This forced me to think about what I want people to remember about me if I do pass away. ” – Jacob Luis Gonzales, January 2016


Above: Conversations With Jake. Digital drawing, created in Procreate on an iPad Pro using an Apple Pencil. October 2016.

I’ve been wanting to work up a portrait of Jake for a while. The last year + of his life has been extremely hard. He went through 13 major (life-saving) surgeries over the summer of 2015, was resuscitated over 75 times, experienced fevers as high as 108 degrees, and has had to relearn how to do essentially everything. 

But I don’t want to just make some inspiration porn. Jake doesn’t need that. No one does.

I want to encourage you to hear his own voice, his own story in his own words. First, go read through some of that narrative at his blog. Second, consider donating to his on-going care. He needs help, from more complex stuff to just the basics. Go to his Go Fund Me page to directly donate. If you’d rather help out in a different way, I’m selling some artworks to help Jake and Ali: go here to see Situation and Circumstance Overcome – if you like it, order it, and I’ll give 100% of the sale to the Gonzaleses. Here’s what it looks like:


Lastly, if you are local and a friend, consider making time to go hang out with Jake and Ali. The time I spent drawing Jake was full of laughter, real talk, sharp wit, intense remembrances, and some solid sports and movie talk. They’re awesome people. 

Thanks for being a part of project, Jake (and Ali’s feet!).

WHENEVER/WHEN

I’ve got a new show up at Imago Gallery and Cultural Center in Columbia, MO right now. The show, titled WHENEVERWHEN, is a group of abstract pieces I’ve been working on over the last year, including after my heart attack.

I’m posting some details and a few full images below. Please come see the show at Imago; my talk will be at 6pm on June 10th. Imago is located on the corner of Broadway and Hitt in downtown Columbia, MO.

Sballou-illicitIllicit. Oil, oil stick, spray paint, oil pastel and colored pencil on panel, 26 by 26 inches, 2016.

Sballou-theunfolddetailThe Unfold (Detail). Oil, oil stick, and colored pencil on panel, 26 by 26  inches, 2015.

Sballou-osmoticOsmotic. Oil, oil stick, spray paint, oil pastel and colored pencil on panel, 26 by 26 inches, 2016.

Sballou-sigilSigil. Oil, oil stick, spray paint, oil pastel, colored pencil and bas relief on panel, 16 by 16 inches, 2015-2016.

Sballou-sigildetailSigil (Detail). Oil, oil stick, spray paint, oil pastel, colored pencil and bas relief on panel, 16 by 16 inches, 2015-2016.

Sballou-benticondetailBent Icon (Detail). Oil, oil stick, and colored pencil on panel, 26 by 26  inches, 2015.

Click here for more info about these pieces and a few other images of them in process.