Andrew Glenn in Moberly, Mo

Printmaker and teacher Andrew Glenn has a show, entitled Standardized Diversity, up at Moberly Area Community College in Moberly, Missouri through December 3. I visited the show last week and enjoyed a number of the works. Below are a few images from the show. You can find out more here.

1 Installation (Pig Storefront) with printed newsprint, light, and wood.

2 Detail from Summer (Pallet of Watermelons), Marker on foamcore.

3 Detail from Fall (Pallet of Pumpkins), Marker on foamcore.

4 Installation (Horse Storefront) with printed newsprint, light, and wood.

5 Pallet of Eggs (Dozen Cartons), Digital print.

6 Detail of Pallet of Eggs (Dozen Cartons), Digital print.

7 Fire (Offshore Oil Rig), Marker on frosted mylar.

8 Portrait, Marker on monotype prints.

Andrew is a fellow MFA graduate from Indiana University in Bloomington, Indiana. He was there studying Printmaking while I was working on a Painting degree. It’s always nice to see a fellow IU grad continuing to work and make a path in the world. My best to Andrew and his family!

Inspiration – Jusepe Ribera

Over the last few years my work has turned on a conception of the natural geometry of the body. You can see how in images like this (“Collapse” oil on canvas on panel, 48 inches in diameter):

or this (“Revealer, Forced” pastel on paper, 23 inches in diameter):

that I am really focusing on a kind of geometric tension in the positions and movements of the body.

A lot of this has come from my interest in the work of the great Spanish painter Jusepe Ribera. In 1610 he followed the call of Caravaggio (who died that same year) by traveling to Italy to see the master’s work. Here are a couple of my favorites:

“The Flaying of Marsyas”

“The Martyrdom of Saint Phillip”

 

 

Color Drawing, Fall 2010

Another semester, another feeling of pride. My beginning color drawing students are pretty awesome.

Carrie Casper Reflective Still Life

Dustin Roberts Reflection Self Portrait 1

Alex Forkin Reflection Self Portrait 2

Alex Forkin Reflection Chromatic Environment 2

Katie Kullman – Reflection Self Portrait 1

Nikki Warren – Grid Project 2

Ashley Claussen – Reflective Still Life

Inspiration – John Dubrow

A number of years ago I saw John Dubrow’s painting Rephidim. It inspired – eventually, after some gestation – this painting:

The work is titled Taming the Tongue, Study #2. The Dubrow work inspired this sketch, not the previous or subsequent works. After a while I manifested the idea in this work, but I have always been drawn to this small work and its connection to Rephidim. Learn more about that painting and John Dubrow himself here.

Martha Macleish and the Shadows

I took a group of my students (from the University of Missouri at Columbia) over to Kansas City to see a bit of art this past weekend. The main attraction was the Martha Macleish show at Longview Community College. One of the things I found so interesting about her work is the fact that the shadows they cast – being illuminated by the syncopated lamps of a gallery lighting system – are at least as physically striking and necessary to the experience of the art as the objects themselves are. These shadows seem to extend each work in that they transfer the structure and form of the piece into space and onto the surrounding walls and floor. While this seems obvious – it’s what all shadows do – in this case it’s much more significant. This is because the laminated, layered construction of the work is mirrored in the stratified step gradients of the multi-vectored shadows and the negotiated, sometimes grungy, sometimes glossy finish of the materials is echoed in the distended, bending atmospherics created as light falls over their spaces and shapes. The effect is mesmerizing and stimulating, leading viewers to shift their perspective again and again, bobbing and weaving around each piece to see the secrets they hold in their multi-faceted alignments and angles. The work is very much worth seeing if you get the chance. Martha granted me permission to post some images of the shadows her work created at the Longview show. Click on each to enjoy them larger.

Tondo Jig

I’ve finally gotten to set up my tondo making jig in my new woodshop. Here’s a run down of how it looks and an example of what it can do.

Here you can see the basic layout. I’ve created the body of the jig on a nice piece of half inch by 6 inch by 3 foot oak. Being a hard, strong wood, the oak will hold the mounted router well. The router itself (a nice mid-range Porter Cable model) is attached by removing its base plate and mounting it to the oak board as shown. The screws are recessed to assure good connection to the router.

Then I mounted a small “lazy susan” type ball bearing swivel deck to the other end of the board. I’ve measured and pre-drilled stations for the swivel deck in my standard tondo sizes – 12 inches (to give me a 24 inch tondo), 20 inches (40 inch tondo) and 24 inchs (48 inch tondo). I set it up to move the swivel deck to reduce wear and tear on the router mount area. I don’t want to take the router off at all. You can see how I’ve put some base plates along each edge of the board on the router end so the swivel deck and router approach are level when placed on the board to be cut.

To cut a tondo, I select my size (in this case, I want a 24 inch tondo) and put the swivel deck there (above). Then I screw down the other side of the swivel deck to the board to be cut so things are nice and secure (below).

Then – with the bit still recessed up into the body – I will start the router and slowly plunge the bit about halfway into my wood. I learned in my previous experience with cutting tondos to take it slow and cut in a few passes to ensure a good, smooth cut but also to protect the router. The harder the wood, the more wear on the router – obviously with this piece of MDF the router could have done the entire cut in one pass, but I feel more comfortable taking a few extra minutes to keep the tool nice.

After the first pass – and each subsequent one – I use my compressor to blow out the dust. This increases the ease of the next pass and keeps the risk of charring or actual combustion down. I also make sure to blow out the vents of the router since the sparking within the motor can ignite dust that collects there.

In the above picture you can see the bit being adjusted down for the final pass.

After the final cut I remove the excess wood and blow off the dust (above), then remove the swivel deck and start to sand any burrs (below)

Here’s a look at the edge of the tondo – pretty smooth cut!

And the final products!