Experiences, Not Products

There’s a great piece up on the Guardian UK website showing a film of famed painter Sean Scully talking about working, being a father, and other topics. Though I’m not a huge fan of his work, I love what he says here:

“You’re trying to, in a sense, imitate God because you’re trying to be creative. And I can never make anything better than Oisin (his son). That’s my greatest creation.”

and here:

“I’m not sure that I have a destination in mind. I’m on a journey. I don’t expect to arrive.”

and here:

“If you’re plotting art, and trying to make something to get something, you’re not in a state of creative innocence. You’re not making art. You’re doing something else.”

This last bit is fantastic. I find it quirky for an artist like Scully – who has exhibited such consistency and clearly defined formatting for decades – to make that statement. But it is really something I believe in. I tell my students constantly: I couldn’t care less about products – I want experiences. I think that’s part of what Scully is saying there.

I don’t want my students to merely execute skills or master techniques; I want them to live out the sense of being that’s wrapped up in obtaining those skills or using those techniques. Making artwork is physical philosophy… it’s a musing on what it means to be miraculously conscious, purposefully aware, intuitively engaged and intellectually stimulated by a range of actions and tremendously important conditions of the human body/mind.

Above: Sketchbook drawing from 2006… it keeps coming back to me. Some day it’ll resolve into an image.

I saw the Scully story via Two Coats of Paint. Check out that blog.

Inspiration – Hanneline Røgeberg

Hanneline Røgeberg is a great Norwegian-born painter who teaches at Rutgers. I’ve admired her work for many years, cited it in my graduate thesis for Indiana University, and poured over it in writings and classroom discussions.

Alloy, oil on canvas, 48 x 49 inches.

She really is quite a treasure. I appreciate her serious commitment to painting as a form, her philosophical engagement with that form, and her deep willingness to pursue material and application over the image as such. Below are some links that can introduce her work and words to you:

Form and Story: Narrative in Recent Painting discussion at MW Capacity (guest post text by yours truly)

Hanneline Røgeberg talk at Boston University (this talk is fantastic and I encourage you to watch it a number of times – so full!)

Her personal website

Balzac I, oil on canvas, 24 x 20 inches

Check her out, and seek out more for yourself!

Vacation = Work

This Thanksgiving Break my wife and I decided to stay at our home here in Columbia, MO rather than going to visit family for the holiday. There’s a lot going on for us, and for my work in particular. There’s no time to take a break.

I’ve got three significant shows coming up. The first is a wonderful show at the University of Mary Washington Ridderhof Martin Gallery in Fredericksburg, VA. The exhibition is titled SHADES OF GRAY: Drawings in Graphite and will run from January 21 – February 25, 2011. I’m particularly excited about this exhibition as Joann Moser, Senior Graphics Curator from the Smithsonian Museum of American Art, will be presenting a lecture and placing the work on view in context. Below is one of the four works of mine that will be included in the show.

Anthropology (Conceits of Knowledge #3), graphite on paper, 38 by 42 inches, 2008.

The next show I’m involved in is a solo show at the Barrington Center for the Arts at Gordon College just outside of Boston, MA. The show is titled Redeeming Tensions and will feature approximately 40 paintings, mezzotint prints, and drawings. It’s the largest show I’ve ever attempted. It will run from February 5 through March 19, 2011. Below are two of mezzotint plates I’ve been working this week. The finished works will be printed and appear in the show.

Lamentations Chapter 3 Verse 8, copper mezzotint plate, 2010.

Lamentations Chapter 3 Verse 14, copper mezzotint plate, 2010.

The final major show I’m involved in will be a two-person exhibition at the 930 Art Center in Louisville, KY with Tim Lowly, one of the most amazing representational painters working today. It is an extreme honor to be asked to show with him, and I am super excited about our show of tondos. I’ve got some work for this show underway but since it’s a while until the show opens I want to keep that under wraps – the run should be June 17 – July 31, 2011.

So, as you can see, I don’t have time to take vacations from the things I love, the things I’m passionate about… and I wouldn’t want to. Faith, family, art making, community, teaching; I life for and in and through these things. They may all seem like cliches to some people, but I’ve got a full life and a full plate. I love it and I am thankful for it.

Inspiration – Jusepe Ribera

Over the last few years my work has turned on a conception of the natural geometry of the body. You can see how in images like this (“Collapse” oil on canvas on panel, 48 inches in diameter):

or this (“Revealer, Forced” pastel on paper, 23 inches in diameter):

that I am really focusing on a kind of geometric tension in the positions and movements of the body.

A lot of this has come from my interest in the work of the great Spanish painter Jusepe Ribera. In 1610 he followed the call of Caravaggio (who died that same year) by traveling to Italy to see the master’s work. Here are a couple of my favorites:

“The Flaying of Marsyas”

“The Martyrdom of Saint Phillip”

 

 

Inspiration – John Dubrow

A number of years ago I saw John Dubrow’s painting Rephidim. It inspired – eventually, after some gestation – this painting:

The work is titled Taming the Tongue, Study #2. The Dubrow work inspired this sketch, not the previous or subsequent works. After a while I manifested the idea in this work, but I have always been drawn to this small work and its connection to Rephidim. Learn more about that painting and John Dubrow himself here.

Matt Klos at Mizzou

Thursday and Friday, October 28th and 29th, 2010, painter and educator Matt Klos visited the University of Missouri Art Department. His talk – as much a short lecture on the richness of painterly exploration over the last 75 years as it was an elucidation of his art – was a vibrant and refreshing event.

After the talk, Professor Klos led a large group of Mizzou undergraduate students in a critique of works from art majors Derek Frankhouser, Marcus Miers, Danielle Moser, and John Schneider.

The talk and critique were well attended and really modeled the intense, engaged dialogue we are trying to foster among our undergrads here.

Thanks, Matt, for coming!

For more on Matt Klos, see here.