Ox-Bow as Self-Portrait

“As I reflect on this experience from the mitigating distance of years, I am staggered by the power it still holds within my heart. And by my heart I mean the seat of my emotions as well as that physical member within me. Perhaps this is because, as with all fantasies, I remember it in an idealized form. Yet even the least ideal aspects of the time hold a remarkable glow to me.”

“At the time, I saw that land – that Large Place – as a separate sphere, a space out of time, out of normalcy. It strikes me how, when I am able to recall it very clearly, my heart almost seizes within my chest as I briefly sense again the stinging joys that I felt there.”

“It was an exploration of myself, not simply a holiday from the reality I had always known. Sitting there on the shore of that ancient lake, gazing back west towards the big city that has since become my home, I marveled how it seemed that I was gazing across some chasm of time and space.”

“I was dislocated, thrown, out of my time into another, somehow timeless, yet time-full arena. I was looking backward and forward to that other shore of past experience and an unsure future. I could never be the same.”

“I could never be the same.”

“I could never be the same.”

“I could never be the same.”

All text: from A Mnemonic of Longing, an unpublished essay, 2002-2009.

All photos: Self-portraits taken between May 2001 and August 2001, in roughly chronological order.

Drawing: Matt (Hardass). Ink and Sharpie on paper, 11 by 14 inches, 2001, by Reid Thompson and unknown Ox-Bow Fellow (A.G.).

PS: Don’t smoke, kids.

The Ox-Bow Studio

“Image-making in this place seemed axiomatic. You live to make. Or, at least, in living you make. Let us take the ninety-degree turn twice and go back to where we once were, shall we? It was fun, challenging, and worthy; the most worthy and real thing I did that summer. It is the most abiding thing I did, even now. Alas, all the rest is dust, chaff, and stubble – ‘which are burnt and which the wind drives away’ – though it all was so beautiful while strewn on the ash pile there. And we, like the old pagans, went down to color it and cover our nakedness with it.” – from A Mnemonic of Longing, an unpublished essay, 2002-2009.

Above: the studio I used during the Summer of 2001 while at Ox-Bow on a Fellowship Residency. Click for larger view.

Below: a sign one of my fellow Fellows left for me one day. I’ve saved it all these years. I have a feeling who left it on my chair that night, but was never sure. Click for larger view.

Sense of Place

There is a great Bad At Sports interview with long time Ox-Bow cook and Director of Chicago’s Roots & Culture gallery Eric May. It’s awesome. Check it out here.

Above: Eric in his grilling glory, summer 2001.

A lot of what Eric talks about in the conversation with Claudine Ise reminded me of my favorite parts of Ox-Bow life… it creates its own micro-cultural climate, its own peculiar and special sense of place. Here are some of my thoughts on it…

“It is interesting that the wonderful mixture of scents is always with you: air, fire, dirt, grass, and water. There is the staleness of cigarettes, the pungency of weed, the hoppy brews left after the parties. There are dinners of steak, shrimp, pork chops, Portobello mushrooms and ever-present feta and peas. There are soups, fish, teas, deserts, additions, and all; delights each and every day. All manner of body odors redound. The lesser animals also make their presence known, as does the mildew. Rain always works its strange rejuvenations to counter the constancy of the Lagoon. There is the rotting wood, the wet leaves, the morning mists, and my hair with its own unwashed, unkempt glory.” – – from A Mnemonic of Longing, an unpublished essay, 2002-2009.

 

Ten Years Gone

Ten years ago today – May 27th, 2001 – I arrived at Ox-Bow for a three month long fellowship residency.

It’s hard to express to everyone around me how important my time there was, how transformative it was, how much it has stayed with me and influenced everything that I am.

“It is a circus of cycles: rejuvenation and writhing. And each year new initiates take up residence even as the remains of those who had gone before continue a silent obliteration. To call its colors: all manner of greens and the diffuse, languid blues of late summer days, tinseled pinpricks of red and gold. It is a baptism of twilight and smoke, a romance – like long forgotten songs that still ring in the air – of memories echoing in a shell, of sounds muffled in the ear.” – from A Mnemonic of Longing, an unpublished essay, 2002-2009.

Above: The Ox-Bow Lagoon in the gloaming, summer 2001.