Drawing is the literal manifestation of corrections, adjustments, and negotiations made during its own construction. A drawing (regardless of the manner of the image it displays) is always a representational work depicting the activity by which it was made. As we build a work, we self-correct. As we self-correct, we leave a trace of real observation and negotiation, declaring our willingness to leave behind what has not worked in the service of the total work and in anticipation of something that will work better. The final drawing is not a snapshot, not a slice of time, but a track record of integrations attempted, iterations discovered, and disparate elements syncretized.
Untitled (Beautiful Collision #3), Graphite on paper, 20 inches in diameter, 2008.