My eldest child, Miranda, is quite the artist (on top of being intense, defiant, powerful, passionate, and smart). Recently she’s been making these very interesting flattened interior spaces.
The drawings show an interest in categorization and organizational meaning, which are two interconnected ideas that Miranda has always been focused on. Placement and scale appear to be very important to her right now, too.
There is also a straightening and flattening of space in these new pieces. This is a little different for Miranda as she does understand perspective to a degree and has shown knowledge of recession of space in the past. However, these works seem to me to be more about the idea of the scene and less about naturalistic space or light.
The way that forms extend unnaturally or terminate on two dimensional lines are unique aspects of these drawings. Above, see how the door extends into the floor or how the shelves stop right on the separation between the floor and the wall. These characteristics make the drawings function more as tableaux rather than structurally “correct” space depictions.
I’m interested to see how she combines the symbolic spaces of these drawings and the more expressionistic and observed spaces from her other drawings/paintings. I think that the organization and delineation of objects in her recent drawings are related to a desire for control. When she’s feeling more tense and uncertain, she wants to establish control. When she’s feeling more at ease and free her creates much more expressionistically and with fewer hard lines and forms.
I’ve taken Miranda on solo dates to museums a couple times (see most recently below) and she loves to do sketching from the master works and take in the quiet, calm spaces…
I am sure Miranda will keep growing as an artist and hone a unique way of making her experiences take shape in the world. ❤️