Colonial Debris, Imperial Fragments – A Catalog

I’m pleased to announce the publication of a catalog about the exhibition that Simon Tatum and I had at Vanderbilt University last year. Working with Oswaldo Garcia at The Riso Room, housed within Mizzou’s School of Visual Studies, I was able to produce a slim volume that highlights some of the work and writing that Simon and I produced for this show. We hope to take the exhibition around to other venues, and these catalogs feel like a great physical supplement to proposals. Click below to take a look inside.

The images show representative examples of the work we include, as well as updated texts that give an overview of the history and context we’re working within. I’m excited by how the risograph process has captured the documentary quality of Simon’s work and the surface development of my own pieces. I love the way the back cover shows Donald Crowhurst’s final coda, “IT IS THE MERCY.” Taken from his logs, this is Crowhurst’s actual writing reproduced.

If you’re interested in obtaining a copy for $25, please send payment via one of the options below:

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  1. Pingback: Remembering the BALLOU/BENNETT: Interference Pattern Exhibition of 2018 | eikonktizo

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