Lamentations Series Continuing On

I’ve been continuing work on the Lamentations 3 series – see the latest work below (and an earlier note here). You can see one of the other paintings in the series here.

You can probably see that I am referencing Arnold Bocklin‘s famous painting Isle of the Dead – which he recreated many times – in this work. The connotations it carries with it seemed like a good basis upon with to embed my own reference and image.

I am also pulling from Nerdrum‘s recurring figure of alienation, seen in his Man in an Abandoned Landscape and Iron Law (center, distance).

Beginning Painters, Spring 2010

I have a pretty good crew of beginning painters this semester at the University of Missouri. I’ve been teaching the course a little differently this year, jumping into making stretchers and stretching canvases, working directly with color from the start, and assigning many, many more preparatory works than I usually do. I’ve been showing them Diebenkorn, Tim Kennedy, Sangram Majumdar, Catherine Murphy, and Uglow. The students seem to be responding.

We’ve been talking a lot about the color and direction of light, focusing intensely on how value shifts over forms and through spaces. I’m enjoying a lot of what they’ve done. Here are a few of the current project (all are oil on canvas, each approximately 14 by 14 inches):

Sarah Burch

Arin Hennessey

Dannah Moore

Jesus Roman

Katie Westhusing

Alyssandra Wilkey

The Log Cabin, 1991-1992

In the summer and fall of 1991 my cousin Chris and I constructed a log cabin in the woods outside of Camden, NY. Click here to see the area where the cabin existed.

Chris and I constructed a number of shelters and cabins while growing up. This one was perhaps our most ambitious attempt. The images below trace a path from my childhood home to the cabin. They start at the old homestead on Wolcott Hill Road (a home that no longer exists) where I lived between 1976 and 1995 or so.

…moving on to the Road itself…

…along the hills and ridges (the cabin is in the distance)…

…and right up to the front door.

As you can see, we we didn’t finish the chinking and other weathering materials before the storms of the winter came. Later on in the year the landowner found the cabin and instructed us to remove it.

We did… and built another one a few miles away. But that’s another post.

It was a great thing to be a part of, this cabin construction period of ours. Lots of life lessons learned, brother.

New Tondo Works

I’m ramping up for a large solo show next year. Have been in the studio working in gouache on paper, inventing and reinventing figures, adjusting colors, fiddling with shapes, etc. Two of the studies are below.

Pivot, 23 inches in diameter

Know, 23 inches in diameter

I’ve also been working on two large works – 48 inches in diameter, oil on canvas on panel. This one is called Certainty.

Dresses in 1967

In 2003 I found a box of photographs strewn across the pavement in an alleyway in Evanston, IL. The box looked as if it had dropped out of a nearby dumpster, so I figured I could look through the photos, see what was interesting, and then place the rest back in the garbage where they’d evidently been put.

But I became intrigued with a series of portraits of a young woman. Always posed in some new dress in  various locations – out about town, in the bedroom, outside in the sunshine – she seemed full of life and hope. I found it troubling that these images of her youth were apparently no longer important to anyone. So I kept them.

As you can see in the example above, the time stamp shows “May . 67” – the rest have similar dates from that year.

Though they are banal and nearly 43 years old, I find them poignant and sweet, a lost record of a person’s experience of their life and time.

I have no idea who the woman was. Since she looks to be in her early 20s here, I expect she’s still living. Here’s hoping she’s had a good life… and continued to model her dresses with pride.