Banality

I’ve had a number of what could be termed crises of faith over the last few years. Given that my life isn’t particularly compartmentalized, arenas slide over and influence one another. This can be for good or ill: A car needing to get fixed shows up on my choice of palette. The sickly child informs my lesson plans. A poorly executed drawing demonstration syncs up with indigestion.

One of the difficulties I have found in teaching the fundamentals of drawing and painting (something I’ve been doing for nearly a decade) is that I have become more and more detached from the epic expansiveness of potential meaning I once saw so easily in everything.

If that seems counter-intuitive, you’re right. On the one hand, I’m opening up this huge world for students and advocating for its meaning-making properties. Sometimes I do a good job at this; sometimes it clicks. On the other hand, however, often I have to break things down so far that they become divested of their mystery. This is probably because I’m not the best teacher – nor the best student – I could be.

But it is also that, amidst the urgency of schedules and diapers and curricula and learning goals and policy committees and trying to eat right and falling off ladders and mowing the lawn and hoping I’m a good dad, the horizon of my universe has shrunk. I can no longer connect to the mysteries. When I look in their direction they seem blank – I seem blank. I look at pictures that used to inspire me and fire me up… I can feel the echoes of what I felt 10 or 20 years ago, yet they seem vague, hollow, incomplete, impotent, and affected attempts. I painfully sense the depths to which I once could swim, but realize I no longer try those fathoms. The shallows, it seems, are the extent of my aesthetic, spiritual, and intellectual submersion these days.

All of the hard-fought attempts I’ve made as an artist and writer seem to, generally, make little or no connection to others. This is not a statement meant to engender pity toward me. I’m not begging for praise. I simply recognize that the average viewer/reader receives perhaps 10% of the passion, reflection, or depth I intended. I am thankful for that 10% of understanding. I’m thankful for every picture I’ve had the honor to show or sell and grateful for every piece of writing I’ve had the privilege to publish into the world. Yet I feel that I can no longer put so much time or energy into these things. It’s not that I don’t want to do it, it’s that I don’t have the depth anymore. Those corridors are closed off. I have shrunk. The extent of my vision has stalled. The infinite chiaroscuro of the universe has fled from me.

I’m not writing this to garner sympathy. I’m just trying to be honest. I think this is part of the life of an artist. Perhaps this too shall pass. I only know that my ability to believe in the value of plumbing the depths is all but gone, and I’m almost not even sad about it. What happens when you no longer feel tethered to what used to be your deepest motivation?

So much of what happened in the best work I’ve made over the last 20 years can be chalked up to faith. I can see passages of paintings and drawings where I had faith, where I had belief in the work. What happened in them was beyond technique and ability, beyond solid ideas or philosophical underpinning. The best ones went far beyond my knowing how to make them. When you lose that faith, how can you ever see or do those things again?

I know I am lucky. I get to teach, get to make paintings and drawings and prints. I get to show my work. But in doing all of that I can see how things atrophy and become stilted. The raging river stagnates. Will I be making tame pictures of flowers in 20 years? I hope not. Yet I feel a domestication growing. When one has a creative itch to scratch but no longer has emotional, spiritual, or intellectual access to the deep things of life the result is often the height of banality.

So artists, pundits, and mass-shooters proliferate. Another day, another war, another hundred thousand more orphans. Google knows what Star Trek-themed trinket I’m most likely to buy (and I actually consider buying it). I remember less and less of the awkward dreams of the 20-year-old me while the 40-year-old me who can no longer run with his kids comes more and more into focus. Perhaps it’s all an episode that would pass with a couple more hours of sleep each night, or with actually cutting red meat out of my diet. Or perhaps it’s just how things are, and I’ll have to figure out how to reach those old depths again after another decade and a second wind.

#montanniversary

A year ago today I got to participate in one of the most amazing events of my life – I officiated the wedding of two of my former students, Amanda and Keith. They are awesome. The wedding was incredible. I was just honored to be involved (and get to quote some Hafez, too!).

8917217604_3b7ac9c6fd_oHere I am preparing for the ceremony. Photo by Keith Montgomery, June 1, 2013.

One of the gifts the new couple gave me was an awesome sculpture made of graphite, created by Batle Studios in San Francisco (click there to see the objects – they’re beautiful). To honor them on their anniversary, I decided to draw a small picture with the sculpture itself. Though not quite as easy to use as a standard pencil, my graphite shell was perfect for the task. I drew a small china plate with a chunk of bread on it – a tableau I had seen at the wedding (Keith and Amanda shared Eucharist together during their wedding).

2014-03-02 20.26.07Here I am beginning the drawing, back on March 3, 2014. Below is the final product:

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Congratulations on your first anniversary, Amanda and Keith! Thank you for all that you are!

~

 

 

Becoming the Student, #13: Kevin Stark

Way back on St Patrick’s Day Kevin Stark and I sat down to share some Guinness and make a portrait. After a long while I’m finally posting it. It’s one of my favorites of the Becoming the Student series, and I am very happy I documented its creation in a video. See that video at the bottom of this post.

2014-03-18 17_17_11Kevin Stark. Digital drawing created with Adonit Jot Touch 4 in Sketchbook Pro on iPad Air, 2014. Click for enlargement.

On Shared Experiences

“I try to be present. I don’t like it when I’m not. That’s why I’ve been doing this game night thing. The games themselves are a blast – I love the strategy and going for the win and all – but I really love the way that games reveal things about people and you get to know them. I’ve always been big on shared experiences. I derive quite a bit of joy from knowing and being with people. Like, I’m not so interested in going to see a movie with someone. But, for instance, going to the True/False festival with someone – doing something you have to journey through together – is something I love. You’re participating in it together, sharing it together, and every connection between you is growing. Those are the kind of things I’m big on.”

On His Rebellious Childhood

“Everything that I’m into now I said I hated as a kid, like Star Wars, the Red Socks, and The Beatles. My dad tried to introduce me to each one of them and I was like, ‘NOO!’ I’m glad I grew out of that ‘cause they’re pretty awesome.”

On Mellowing Out

“I’m more OK with people mellowing out. I used to be annoyed that this concept of a ‘restless youth’ thing was just a youth thing. The idea that people sometimes become confortable with things… I guess I’m mellowing out about mellowing out.”

On Music

“I’m really into discovering new music right now. There’s too much. Too much. I really like Daytrotter. It’s a download website where a bunch of bands from around the world share four song sets and they get posted.”

“And Destroyer. You ever heard Destroyer? Oh, man – it’s great! Get into Destroyer. He has two albums that have affected me greatly.”

“I’m annoyed at how much I’m a sucker for long songs.”

On His Portrait

“Thanks for not making me make a stanky face for two hours.”

Digital painting of my friend Kevin Stark. Two hours.

Becoming the Student, #0: Geo the Woodworker

I first met Geo when my wife and I lived up in Evanston, IL. He was iconic on our street, his long gray hair always a sight to see. He and his family own several of my artworks, and I have always enjoyed my conversations with the man. He is a gentleman and a scholar, and given to grand gestures and deep sincerity. Once, back in 2009, he drove 8 hours (one way!) to see an exhibition of mine and take me out to dinner. He’s a really unique soul and I’m glad to know him.

In late 2013 I had the opportunity to draw Geo at a pastel workshop I was giving at the Evanston Art Center (in conjunction with an exhibition I was in there). I was glad that Geo was willing to sit for me; I’d always though him a man possessing a regal bearing, similar to a Founding Father or deity.

DSC_0412Geo the Woodworker, Pastel on toned paper, 24 by 18 inches. 2013.

After I began working on my Becoming the Student series, I realized that my drawing of Geo was, perhaps, the true initiation of the project. So, in the spirit of Becoming the Student, I asked Geo to tackle a few questions for me, and his answers are below. After reading through them, be sure to check out his website to see his fantastic work!

On How Long He Has Been a Woodworker

“I started in with wood even before I knew it.  Then in college I had the opportunity to study with a real master carver and through that experience I just knew… it seemed to be in my blood. That was back in 1975, so at least that long.”

On What Life Lessons and/or Epiphanies Working With Wood Has Given Him

“I guess I’ve learned that it – the work, regardless of subject or use – is all the same. Here’s the bottom line: it is not what you do but HOW YOU DO IT. Every stroke of the chisel counts, whether you are carving The Baby Jesus, the Presidential Shield, or just making a Push Stick to use on that big table saw. You must come to know that everything counts forever or nothing matters at all. I would suggest that you move toward the light in all things.”

On The Most Beautiful Work of Art He Has Seen or Heard

“First, a poem: Maud Muller, by John Greenleaf Whittier.  Second: my Foo Dogs. My wife gave them to me for my 50th birthday and they are as good as good gets!”

On How His Creativity Had Changed Over The Years

“I believe it has gotten thicker, not just longer or with greater elasticity. This is a blessing to be sure. But all things considered I’d have to say it’s thicker, yeah. More thick.”

On What Values Motivate Him as a Man, Dad, and Artist

“OTHERS! All my life, it has been the ability I have to help others, to inspire others, to challenge them. That’s what I love.”

On How To Recharge Creativity

“Go outside. OPEN your eyes. Read a book. Take in a beach, a mountain, a river. Go to the Wailing Wall. SEE and BE. Remember: hard work is hard work. The ‘best you can do’ is rarely the easiest answer.”

On His Earliest Art Experience

“I’m not sure how old I was, but I have clear early memories of my aunt sitting in a kitchen somewhere knitting. I asked what she was making and she said, “Another sweater, just like the one your uncle is wearing.” Well that seemed hard to believe: ‘YOU made THAT??’ Sure enough. At the time I didn’t know yet that my mom and her sisters could knit like that: an Irish fisherman’s sweater with those rope patterns up the front. How could a person do that? It was impossible for me to imagine how it was done. It’s like at the Consecration, but even better. I mean, you get to WEAR the sweater. Yes, I was raised Catholic; I always thought that catholic meant, ‘closer to the real Art’.”

On How Being a Dad Has Changed His Work

“My son is here to remind me that we are all but links in an endless chain. As the old poem (Thanatopsis, by William Cullen Bryant) goes:

‘The youth in life’s green spring, and he who goes

In the full strength of years, matron and maid,

The speechless babe, and the gray-headed man

Shall one by one be gathered to thy side

By those who in their turn shall follow them.’

The speechless babe, and the gray-headed man–Shall one by one be gathered to thy sideBy those who in their turn shall follow them.
Read more at http://www.poetry-archive.com/b/thanatopsis.html#I2Z2Tok0sel6VB3M.99

SO LIVE!”

~

imageGeo’s self portrait before the portrait demo I made. Epic!

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Thanks, Geo, for your friendship and exuberance over the years!

Two Shows Going Up Soon!

I’m involved with two really great group shows based on the landscape right now. One is at the Deines Cultural Center in Russell, KS and the other is at IMAGO in Columbia, MO. The IMAGO show – Landscape: Idea and Ideal – is the inaugural exhibition for this new downtown gallery space. It’s really beautiful and I’m honored to show with a group of friends and former students Eric Norby, Matt Rahner, Megan Schaffer, and David Spear.

imagoimageA panorama of the Imago interior – it’s a beaut! Click for enlargement.

The group show at the Deines – called Finding Balance – is also about landscape. Curated by Joel T Dugan, the show features 15 artists from around the country and the catalog for the show looks really sweet. Norby and Schaffer are also in this exhibition, as is my good friend and former student Jacob Maurice Crook, who just recently earned his MFA from Syracuse University. Glory all around!

findingbalanceNice to see Norby’s work on the cover of the catalog – Click to download it!

Becoming The Student #11: Allison Jacqueline Reinhart

Allison Reinhart (go to her website here) is a former student of mine who has been pretty instrumental in my growth as an educator over the last few years. We’ve worked together on a number of projects, each one more beneficial than the last. Her last solo exhibition was fantastic, and I was able to write about it for neotericART (click here to read the piece). Allison, as a student leader and presence on campus here at Mizzou, has had a deep impact for educational accessibility, universal design, and inclusiveness in our community (you can read about some of that here).

IMG_9291The Gaze of Allison Jacqueline Reinhart, pastel on paper mounted on panel, reclaimed oak. 18 by 18 inches, 2014. (Click for enlargement)

This portrait of Allison is one of my favorite works in a long time. Not only do I feel that it captures something of her take no BS attitude and strength, I also think the drawing has a clarity and directness that Allison also possesses. The reclaimed oak frame was something I built from a very old drawing desk that had been thrown out. When I saw the desk in the dumpster I knew I could make something substantial and beautiful from it. I think the frame really completes the piece, giving it a sense of solidity and authority.

I don’t want to go on and on, but Allison (as well as Gina Ceylan, who will be a forthcoming Becoming The Student subject) has been important in helping me to grasp the reality that affording access as broadly as possible – be that educational, social, or political – is not to be an afterthought for civilized societies. It should be front and center. It is not a special service or add-on benefit to accommodate the access and needs of my students; it should be a primary focus of my work as an educator. I’m thankful for the many conversations Allison and I have had about these issues.

On Neil deGrasse Tyson Explaining Things

“Listening to Neil deGrasse Tyson explaining things makes you realize how cool things are and could be, but also how shitty things actually are… and then I get sad. I mean, we understand all these great things about the universe but can’t even make health care affordable and universal. Makes me want to just go back to bed.”

On Her Portrait:

“Where’s my ermine?”

“That’s how I roll. This is my sitting up posture. It’s also my laying down posture.”

On the Becoming The Student Project:

“You sure know a lot of hairy men!”

On Awkwardness:

“I wish everyone understood that we’re all fucking awkward. Just go with it, people.”

To hear more from Allison – as well as other who have worked toward a better, more inclusive environment at Mizzou, watch this short film.

~

My Favorite Artist Turned 4 Today

My first-born came into the open air of this reality four years ago today. She is glorious and wonderful. She is sensation and awe. She is questions and answers. She is being and making and trying. She is joy. And look at the authority with which she handles those paint tools!

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Becoming The Student #10, Ryan Davis

My friend Ryan Davis – metal-head, Jesus-freak, post-punk-boy, husband, and leader – is my next Becoming the Student subject. When he walked into my studio he was carrying the Iron Maiden-themed TROOPER beer, which bode well for the evening. I began the portrait with Ryan giving me a lengthy narrative on his musical back story, his influences and interests. It was an interesting and winding tale, as any story starting with Kenny Rogers and ending with Anthrax must be.

OLYMPUS DIGITAL CAMERARyan With a Twenty Year Old T-Shirt, 18 by 18 inches, acrylic on panel. 2014.

On Loving Heavy Metal

“Part of it is that I never want to feel too tame. Maybe it is about recapturing something, or feeling younger… but metal just makes me feel more ‘up’ – other music doesn’t do that. These days I sense that I’m getting back into metal more because I can’t really relate to what my friends are into. But all music is worship. I can see God in any music. In metal they’re telling you truths about the world – often about what’s wrong – and looking for some sort of hope and don’t know where to look. I feel as if most metal I listen to has a social message to it. Many of the bands I listen to are speaking out on injustice or the rape of the environment. Of course, there are party songs and pure anger songs, but that’s not all of it.”

Ryan is an incredibly vulnerable man to his friends. Our conversation during the two hours I worked on his portrait moved from things that were seemingly frivolous to intensely deep heart issues. I’m thankful that he was willing to go there in so many areas of his life. Most of these things just can’t be shared in a public format, but I feel that my painting was a kind of subjective record of the narrative journey we took. Ryan is a guy of integrity and strong emotion, and it was humbling to witness his openness.

On Living a Life Not Based on Affinity

“Now, as a Christian, I no longer have so many relationships based on affinity any more. I mean, if you look at who God has put into my life – the people who I’m the best friends with – on paper our friendship doesn’t make sense. People could easily think, ‘they’re not into the stuff you’re into, they don’t like the music you like; how can you like them?’ For me the answer is just that they’re awesome people and they love Jesus. That’s it.”

On the Time Modest Mouse Played in the Basement

“So, they played the KCOU festival one year. They were supposed to play outside, but it was raining. For some reason my house was thrown out there, so they came over and played in my basement. There weren’t 200 people in my house, but there were a lot. There were maybe 50 people down there at the time. I’ve seen that band twice and I love them, but back then the singer just wanted to do drugs and fool around… phone booths and whatnot. Yeah.”

On Our Healthy Future

“Maybe we’ll both get into CrossFit and we’ll lose a ton of weight, be totally ripped, and work out so much we puke.”

afterlightTROOPER beer!

Becoming the Student #9: Michael Winters

Michael Winters is the Director of Sojourn Arts and Culture in Louisville, KY. I got to know him when I had a two-person show at the gallery he formerly directed, The 930.

Recently Michael stayed at our home while coming through Columbia. He was a blessing, and a gentle soul to be around. I was glad to sit down with him to discuss art, life, family, and The National.

IMG_0117Michael Winters, Digital drawing, Dimensions variable. 2014. Created with an Adonit Jot Touch 4 in Sketchbook Pro on an iPad Air.

You can see a video of part of the process of building this digital painting here.

It was a powerful couple hours talking to Michael. There was a great deal of vulnerability and humanity on display in our talk, but perhaps that is best represented by our shared love of bands like the The National:

On The National:

“Over the last year I’ve listened through all their albums heavily again. And with the new one that recently came out, I feel that the instrumentation is just so precise. So spot on. And his (Matt Berninger) voice fits it, too. At first, a few years ago, I thought his voice was – without careful listening – a little hokey. But that changed. I take it seriously. It’s for real.”

Favorite Line on The National’s “Trouble Will Find Me“:

“Everything I love is on the table…”

On the Power of Music:

“There are no short cuts. It only works because it makes you pay attention.”

On Art:

“If artwork is not going to emphasize craft then I’m going to expect a lot of it conceptually. So often that seems lacking. I’m looking for serious content.”

On an Under-known Musical Artist He Loves:

“Somebody pointed me to an album by Austin Crane under the name of Valley Maker. All of the songs on it related to the book of Genesis, but it’s all done really well. There’s a lot of interpretation there and getting into the mind of the characters. His most recent album, Yes I Know I’ve Loved This World, is very personal, very kind of first-person; his songs, his stories. I think it’s extremely profound. It’s just good song writing.”

On my Digital Portrait of Him:

“It’s wonderful to be seen.”

~

Thank you for visiting, Michael!

Becoming the Student #8: Joel T Dugan

Joel T Dugan is an amazing painter and educator who works as a professor at Fort Hays State University in Kansas. A few weeks ago my family had the honor of hosting him for a few days and the time we spent together in the studio were some of the best drawing hours I can remember. Our conversation ranged wide. We spoke of everything from “ignorant faithfulness” to the “chase” aspect of painting. Especially beneficial to me was sharing our experiences in teaching. It was an epic evening.

IMG_0023Portrait of Joel T Dugan, Digital drawing, Dimensions variable. 2014. Created with an Adonit Jot Touch 4 in Sketchbook Pro on an iPad Air.

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On Reality and the Ignorantly Faithful

“In terms of reality… I’ve been thinking a lot recently about the notion of individuality and that how we perceive worth can be so saturated with our own assertions we might experience certain things as so much more impactful than anyone else could.

What do we know? What do we expect? What do we allow to resonate? In my life, so many things have happened – circumstances have aligned themselves, so many nuances have taken place – that you almost wonder if there’s a Suspect at work, something that we might call fate.

But the very notion of fate is so saturated with the hoax-y, with… the ignorantly faithful, those who… allow themselves to… view things in terms of a Divine Plan or Divine Timing while not… taking responsibility for their own choices and motivations. That’s also about not being willing to accept any of the obvious cues that something might not be what we think it is. It’s often a cover up for really not wanting to engage with deep concerns. “

On Perception and Ignorance

“I wonder about perception. I wonder a lot about what truly is valuable. But then you just completely get lost in the kids and it’s always a great release to see that pure innocence and awe. I fear for my kids, that they’ll lose that wonder.”

We’re all subjected to selective ignorance. We utilize that state by default without even knowing it. We’re creatures of comfort in the sense that we love to feel like we’re right. It makes us feel like our efforts are fulfilling, that our existence is poignant.”

On Painting as Existential Chase

“I question myself about the impact of the things that I do, questioning what is the true exchange that takes place when creating art. Being able to share, or even just include, the viewer in the mystique of the work, of that chase… that very much is a kind of lustful relationship. And I just keep thinking to myself that if I could get closer to that same feeling of epiphany, of surprise and recollection that takes place when you struggle with doubts and failures – even after absolute trust and immense security – and you think to yourself ‘I’m a fool. Today is not the day’ so you turn away, put on your coat to leave…. But then you glance back. And you think, ‘That’s not too bad. You know what, with ten more minutes that could really be something.’ And after all the rest of that time it’s almost like you stole it. Almost like you took something that was just a failure and you ripped it from the hands of mediocrity and re-purposed it. If that moment could be shared with everyone you would never have doubt that it was worth it. But how the hell do you do that without just saturating it with your own judgment?”

 On Teaching

“One of the hardest things about teaching is asking people to be both more accepting of judgment and more confrontational with opinion. I just love seeing the light bulb turn on in their heads. You lay the cheese in front of them and they think they found it themselves; that’s when learning how to learn takes place.”

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If you ever get a chance to spend time with Joel, do it. He’s a man of faith, family, and joy. My daughters really fell in love with him and he gave them such positive attention and care. Our youngest, CaiQun, asked, “Can Mr Joel could be a part of our family forever??”

IMG_0521Mr Joel and CaiQun working with the Sensu Brush in ArtRage on Joel’s iPad.

  IMG_0560Joel breaking down one of Eric Norby’s paintings.

~

On the Drawing I Made of Him:

“I’m glad you love my head.”

I was blessed to get to hang out with Joel for a few days – everyone is better for a few hours with the guy. Thank you, sir!