The Ballou Collection – Borovicka, Ebbe, McCarter, Rodier

We’re coming to the end of another year fraught with so many weird, world-altering experiences. In the midst of that it’s nice to step back and enjoy some things that are relatively stable. For me, that often means seeing what’s up on the walls of my home.

I’ve posted a few other things about what artworks are up in the old Ballou homestead and I didn’t want to let 2019 slip away without showing more. So here they are.

Joey BorovickaThe Alchemist’s Lair. Risograph Print. 2018.

I have loved Joey Borovicka’s strange, evocative interiors for many years. This sweet little risograph print – with that intense pink and blue – is a kind of distillation of what the artist does well: borrow, shape, and craft mood. I wrote about Borovicka’s work in the latest issue (#8) of The New Territory. Go there and subscribe!

Micah Ebbe – The Guardians (6/50). Screenprint. 2002.

I’ve known Ebbe since we worked together nearly 20 years ago in Evanston, IL. I’ve enjoyed watching his career develop over the years. I encourage you to look at his website – the quality is astounding. If you love masks, phantasmagorical tableaus, or CosPlay, Ebbe’s work is for you.

Stella McCarter – The Hornless Unicorn (4/5). Etching. 2008.

Stella gave me this print when she graduated. I like it quite a bit, but the way I remember it Stella’s real passion was for pigeons. She made a number of works about the birds, their colors, and their varieties during her undergraduate years. Hmmm… I might have to get me one of those, too.

Justin RodierUntitled (3 Views of Ballou’s Drawing Room). Photographic C-Print. 2011.

Though Justin graduated from Mizzou back in 2012, his presence is still felt. He – along with a small group of other Photo students – were a real force to be reckoned with. His work has continued to develop and break interesting, strange ground. I love following his work on Instagram and was pleased to include him in a show I curated last year. Stay wild, Justin.

There you have it. Four more entries into the Ballou Collection. I’ll have to add more in 2020…

The Ballou Collection – Chris Hall

Chris Hall – Thrustmasters. Oil on panel, 7×10 inches, 2012.

Chris Hall is a great guy. He’s a solid dude. He’s easy to get along with, to talk about Dune with, to consider the pros and cons of kayfabe with, and to think about art with. Back in 2011 Chris came into the MFA program at Mizzou and quickly stood out. Not only was he a good painter with interesting ideas, he was also willing to let his assumptions go to grow. His thesis work was among the strangest and most unique I’ve had the privilege to see. Check out his ongoing work at his website.

Chris has the unique ability to draw out both mirth and serious, intense thought in those around him. I’ve loved partying with him over the years, and I look forward to more fun in the future.

Above: Chris as Nosferatu and me as Igor in a drawing I made… this is how we party, people. Ballou digital drawing, 2017.

I have two artworks from Chris in my home. The first, Thrustmasters, is at the top of this post. And here is an untitled fridge interior from around the same time – 2012 or 2013, just as Chris was moving into his Thesis work.

Chris Hall- Untitled Fridge Interior (Vampiric Food). Oil on panel, 7×10.5 inches, 2013.

Chris is one of my favorite subjects for illustration (I’ve drawn caricatures of my friends, family, and students for many years). Not to be outdone, Chris had me pose for a number of his paintings early on, and those sessions are some of my favorite moments in academia!

Me posing for Chris… meme-ified.

Chris shaking his groove thang… Ballou digital drawing, 2016.

The Ballou Collection – Marszalek, Mize

One of the First and One of the Last – Two pieces currently up in the Ballou Collection.

The two paintings below are cherished parts of our collection. I’ve had the Norbert Marszalek painting for about a decade, dating back to my time living in Chicagoland and having a few conversations with Norbert at the Contemporary Art Workshop.

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Norbert Marszalek – Cup and Saucer, oil on canvas, 8×9 inches. 2003.

At the time this was painted, Norbert was still in the midst of several figure-based series of works featuring interiors and portraits. Over the last several years the cup – in particular the tea cup – has become increasingly important to Marszalek and he has focused on it. The attention he has given to the tea cup has caused his work to move out into sculpture and installation. It’s cool to me to have this early cup in my studio to demonstrate the way that sometimes small touchstones can roll up into mountains of concern in the work. I love it.

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Dylan MizeRemembrance, oil on canvas, 12×10 inches. 2013/2014.

I met Dylan when he was an undergraduate at the University of Central Missouri. During studio visits his interest and passion really stood out. Over the years I’ve admired his tenacity and investigative spirit. He’s also really into chess, and has both played the game well but also made some wonderful, effervescent pastel drawings of the action of chess tournaments. He has an instinct for relationships of form and color and mark that are just exciting to me. I just recently got this piece and framed it up with reclaimed oak. It’s a wonderful splash of color in my studio.

 

The Ballou Collection – Borovicka, Gealt, Ballougan

Last year I started a periodic series about artworks that I’ve collected – through purchase, gifting, or exchange – over the years. I’ve been thinking of moving some art around in our home recently, so I gathered up a couple nice pieces that I have gotten – one very recently – and put them together with one of the collaboration pieces I made with Joel T. Dugan.

Here they are – A wonderful Joey Borovicka window painting that I got just this past month, a thick Barry Gealt work of juicy saturation, and that collaboration piece that Joel and I made. I really think they hang well together. A little song at the front door of our home.

Here’s a nice detail of the Borovicka piece, entitled 4 Minus 3 Equals zero. Check out Joey’s wonderful Instagram feed for lots more of this enigmatic, compelling work. Below is a close shot of the Barry Gealt piece Waterfall III. Barry is one of the most important people in my life. He has an influence within me that is almost unparalleled. There are perhaps only 6 other voices that guide me more than his has.

Finally, the collaboration piece with Joel – Pile. Joel and I are in the midst of a collaboration of nearly a half decade at this point. We’ve been recouping recently, digging in for another push. With a number of shows together and a collection of roughly 40 works, our partnership has been a long term joy ride into the space between understanding and complete mystification. It’s been powerfully transformative for me.

So there it is. Another installation of The Ballou Collection. Hopefully I’ll get back around to it before another year has passed. Buy art, people! Fill your spaces with art from people you KNOW and CARE about!

The Ballou Collection – Nina (An) Flores

I’m starting a new section of my blog based on artworks that have been given to me – or ones that we have purchased over the years. Many of these are from students or colleagues, and I’m excited to share them. First, is from Nina (An) Flores. This is one of my favorite artworks a student has given me. This piece is a master copy Nina created, a drawing in oil pastel where she copied a ceramic slab made by Bede Clarke. She had the benefit and honor to work from observation on this piece, as Bede let her borrow or original work. The drawing is awesome. 14 by 14 inches on paper, 2012.

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And here is a demo that I made earlier in that semester… I drew a portrait of Nina. 12 by 18 inches, oil pastel on paper. 2012.

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