Stations of the Cross Project

Back in November of 2016, I bid on a commission at a cathedral, calling for an exploration of the Stations of the Cross. It has been a number of years since I created a series of works based on a biblical theme (I tend to do this every few years or so) and I wanted to at least feel out the idea a bit.

While I did not get the commission, I have continued to develop the work from the proposal. Below are a bunch of the pieces in progress. Each is made on an iPad Pro using an Apple Pencil in the ProCreate App. What I’ve done in these works is dovetail my own research of Eastern and Western Mandala forms into an exploration of Giandomenico Tiepolo‘s Via Crucis from San Polo in Venice (Click through here to see examples of his works).

Here are 6 of the 14 images, in progress:

img_1448Stations of the Cross #6 – Veronica Wipes the Face of Jesus. Digital painting, 2016-2017.

img_1446Stations of the Cross #5 – Simon Helps Jesus Carry the Cross. Digital painting, 2016-2017.

img_1445Stations of the Cross #13 – Jesus Removed From the Cross and His Body Returned to Mary. Digital painting, 2016-2017.

img_1444Stations of the Cross #12 – Jesus Dies on the Cross. Digital painting, 2016-2017.

img_1447Stations of the Cross #1 – Jesus Sentenced to Death. Digital painting, 2016-2017.

img_1443Stations of the Cross #14 – Entombment of Christ. Digital painting, 2016-2017.

By investigating the color and composition of Tiepolo’s work without reproducing the details, I hope to draw out the relationship these works have with the tradition of contemplative spiritual works the world over. It is also humbling to realize that the source paintings were made when Tiepolo was around 20 years old. I see these as his MFA Thesis work, definitive proof of his mastery.

Having visited these paintings in person – more than 10 years ago – I still recall how astounding they were. Not as large as Tintoretto. Not as graceful as Bellini. Not as mystical as Piero de Cosimo. Not as abstract as Uccello.  But they hold their own as an expression of an artist growing into this own power and getting ready to pivot into his own realms of glory.

My aim for my versions of the Via Crucis paintings is to print them in large format (potentially to scale with their Tiepolo counterparts) then paint back into them, further developing the color and compositional shaping.

This Week in 2005

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This week in 2005 Alison and I arrived in Florence, Italy. Above is the path we took almost every day during our stay – from our apartment on Via Ricorboli (right hand of the picture) to the Church of Santa Felicita. (On the left – click the image above to explore the area).

Why did we make the nearly 2 kilometer trek so many times, even if our final destination was in some other part of the city?

Because Pontormo’s epic Deposition resides in that church. Here I am gazing up at the piece:

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I must have spent 6 or 8 hours in front of that painting. I have thought about it, written about it, and taught about it many times over the last 8 years. This painting is ingrained in my life.

I can’t wait to walk once again along the Arno, sidestep the Ponte Vecchio, slip into the cool silence of Santa Felicita, and see it again.