Simon Dinnerstein Talk at the University of Missouri

I have the great pleasure of giving a talk about the work of Simon Dinnerstein and Antonio Lopez Garcia this morning at the University of Missouri. Last night we got to watch the wonderful The Quince Tree Sun, a fantastic film by Victor Erice from 1990. In it we see Antonio Lopez Garcia’s struggle to paint and draw a quince tree over the course of months.

Today, the event continues. My talk deals with attention, meaning, and the associations between Dinnerstein and Antonio Lopez Garcia. If you can’t be at The Lasting World Symposium, I’m linking the text of my talk and my slide show here:

Ballou – Paying Attention to Sinks Text

Ballou – Paying Attention to Sinks Slide

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Dinnerstein looking at a projection of his Fulbright Triptych during a talk this morning at the Symposium.

Dinnerstein and Ballou at the Museum of Art and Archaeology with Dinnerstein’s The Sink, September 2017.

The School of the Art Institute of Chicago, Ten Years On

I graduated from SAIC nearly 10 years ago, and I’ve got a lot of memories from there. At first, right after I graduated, I was pretty negative about my experience. I felt as if they’d denied me some aspect of my education necessary to my future, that they’d tried to indoctrinate me, that they’d treated me like a number, not an artist.

In ways I was right, but in a lot of ways I was wrong. I’ve since gotten over it and look back with fondness, thankful that I grew so much during those years. One of the ways in which I grew was in my attention to the things that drew my eye. I began to document heavily, shooting thousands of photographs in the last couple years of my undergraduate career. Below I’ve posted some of those images. These are all from SAIC hallways and environs circa 1999/2000. I was obsessed with the angles, passages of light, and transitioning spaces in the places I saw every day.

Above, looking through the peep hole of my dorm door, 112 South Michigan Ave, 9th floor. This space no longer exists. Below, the elevator I took so many times.

Dead birds (they constantly flew headlong into the bank of windows on that facade, then fell, in droves, into the water below), dead leaves, and my shadow in a pool outside the lake side of the Art Institute of Chicago.

Two stairwell views on the way to the Advanced Painting studios (above and below).

Another stairwell view, light on the landing.

Glass and light, looking up toward the Advanced Painting studios.

Sunlight glances through the shades of my 13th floor (the smoking floor) dorm at 162 North State Street.