Over the last couple of days I had the great privilege and honor to get to work alongside Anne Harris on an iteration of her ongoing installation project, The Mind’s I (click here for more info). This version of the project took place at the University of Central Missouri. Two colleagues of mine who taught at Mizzou in the past and who earned their MFAs at Indiana University like I did – Melanie Johnson and Chris Lowrance – were involved as well, as were a number of other UCM faculty and students. I brought several of my grads along for one day of the project, then I went back to work again the next day. It was a great experience.
Anne Harris at work on the project on Saturday, November 4, 2016.
Zach Nutt and Nikos Karabetsos at work, November 3, 2016.
I focused on the abstract shaping of my head foreshortened in a mirror. The strange roundness of my neck was compelling; these are some of the first self-reflective observational/figurative works I’ve made since my heart attack in February.
Below: I also incorporated some linocut Cloud of Unknowing prints into a few of my works; I really like how they turned out.
Overall it was that bulbous shape I was interested in, and how the ceiling lights altered and occuluded what I could see of myself in the strange angle of the mirror.
All of my pieces are mixed media on paper, 11×10 inches, November 3 and 4, 2016.
As you can see in the panorama above, the works were arranged in a grid to fill the space, and each one included date and time information. The array of times were an important aspect of the installation, asking viewers to consider the ween and among the works and their makers. The sense of a shared space, with each person’s intentionality bent toward the question of perception and identity, was palpable.
My piece (center) is to the right of an Anna Harris drawing. Two Simon Tatum pieces project from the wall below.
It was particularly cool to see Anne working and arranging the installation of the works. On Friday, I got to spend several hours in conversation with her about tons of topics, from misogyny in art to adoption, from color theory to the goings on at SAIC (Anne teaches there, and I earned by BFA there in 20o1). It was an amazing time. Anne is smart, warm, and inclusive, and gave lots of attention to everyone who wanted to chat with her. It was such a treat to get to hang out with her!
Above are several more works by my students Nikos, Simon, Amy Meyer, and Guigen Zha.
Above: Honorary grad Simon at work. Below: our host, Melanie Johnson working a self portrait.
On Friday evening a group of us went to eat at Brown and Loe, a fantastic restaurant in Kansas City’s River Market area.
Thanks so much to Melanie for inviting me and my students to participate, and to Anne for the great conversation and generosity of spirit she has.
I love all of these and the photos as well. I especially liked the group shot w/food and the portraiture drawings. Remember you backgrounds…..all of them.
Hey! Where on earth are those esials from?? Metal pipe esials?? I honestly believed that esials HAD to be made of wood or bamboo……pultrated aluminum……maybe!? What if a really deranged student took possession of one like a wepeon? Or if a sick sophomore swiped one and packed explosives into the piping? Has anyone ever even checked? Or even brought a dog over? No! The hand writing may be written on the wall……in the tenement hall….over there.
Matthew Ballou has planely found Home Base. We may all breath a little easier. Nice