The Star Road

A little more than two decades ago my cousin Chris and I began to take long drives northward from our home in central New York State. We almost never went south. There were many adventures on those forays; our families knew what it meant when we said we were going “up North.”

StarRoadThe Star Road’s length over the geography of New York State

Many hours of conversation accompanied the drives, as did many hours of silence or reverie to the music we loved then. Over time the purpose of these trips showed itself in clearer and clearer form: the road was for a kind of tandem contemplation of what had been before us, what lay beyond us, and what was permeating our existence. We drove north to explore. Though moving through space we were motionless and silent in our souls. We found transformation and dreams along the road.

Untitled-14Heading out in the mid/late 90’s in Christopher’s old Nissan pick up truck

One of our favorite routes is an iconic stretch of highway that runs nearly 250 miles through the interior of New York State. State Route 3 begins (or ends, depending on your perspective) near Fair Haven State Park, practically in sight of the southeastern end of Lake Ontario. After a short jaunt eastward, Route 3 turns emphatically north and holds the eastern shore of Ontario for 60 miles. The road’s great northeasterly meander across the deep woods, lakes and mountains of upstate New York commences in historic Sacket’s Harbor, soon passing through Watertown and Carthage, then running just to the south of the Fort Drum Military Reservation. Roughly 70 miles from the streets of Sacket’s Harbor, Route 3 enters the great Adirondack Park.

Untitled-31Chris adjusting his old Pentax SLR during a photo stop, 2003 or so.

Just near this entrance to the Adirondack Park sits the hamlet of Star Lake and its eponymous body of water. The section of Route 3 that runs between Star Lake and Tupper Lake is majestic and ephemeral to drive at night. Tupper Lake is a crossroad of sorts, situated as it is along Route 3 running east/west and other routes running north/south. Though it is often a center of activity in daylight, especially in the summer months, Tupper Lake in the twilight – or at midnight – is glorious. The ancient, rounded-off Adirondack Mountains seem to circle in and provide a black frame for the jeweled vault of the sky. Chris and I have seen this many times.

This effect – a dark horizon circumscribing the grandness of the Milky Way, or Polaris, or Cassiopeia – is perhaps the reason why we started calling Route 3 “The Star Road.” It could have been the presence of Star Lake near the entrance to the Park. It might also be that there are, in fact, two real Star Roads off of Route 11; one between the towns of Malone and Ellenburg along a stretch of Route 190 and the other very close the border with Canada on County Road 17. We’ve traveled both of those roads and they could have influenced us.

Untitled-1A dusty old photo of the shore of Lake Ontario near Cape Vincent

Whatever the reasons, we spent many a dark, snowy night driving along Route 3, or glimpsing northern lights amidst the summer stars beyond Saranac Lake. The ending – for us – was to either come into Plattsburgh then strike a new route home, or to break off The Star Road early and head north toward Malone or south toward Lake Placid and Mt Marcy. There were many nights we merely ran along Route 3 for a short distance beside Lake Ontario, then slipped onto Route 12E from Watertown up to Cape Vincent. There, at the inflow of the St Lawrence River, we’d creep out of Cape Vincent toward Tibbetts Point to sit beneath the lighthouse with all of Ontario spread out westward before us.

Untitled-3Tibbetts Point Lighthouse near Cape Vincent, NY

I loved those drives and talks and silences. I loved listening to the Chateau D’Isaster Tapes while cruising along, angling across the brow of New York State, and imagining what the future might hold. In some ways these trips are behind us. We have families, homes, and other responsibilities. But I know we both still feel the pull of those hills and lakes and forests. I’m sure we’ll aim headlights northward sometime soon, and find ourselves in dream-driving together once again.

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UpstateNYmapA section of one of the old, fold-able NYS maps we used to use

New Collaboration For 2014

Joel T. Dugan is Assistant Professor at Fort Hays State University in Hays, Kansas, and we have begun a series of collaborative paintings. It was great to meet and hit it off with Joel during my recent exhibition at FHSU, and I’m excited at the prospect of working with him. I’ve decided that, much like my new series of portraits (Becoming the Student), I’m going to keep a record here to show how our work progresses.

The first six pieces have begun, three started by Joel and three started by me. These are the first states of the works. We’ll alternate working over what each other has developed and, hopefully, come to a mutual conclusion about the work.

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In other news, I’ve had two pieces of writing made available on the neotericART website recently:

Below the Blue Line: The Recent Work of Allison Jaqueline Reinhart

Trying to Get a Sense of Scale – Tim Lowly’s Precious Labor

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Bike-Desk, Desk-Bike

I decided to construct a bike desk (or desk bike?) a few weeks ago. I was in the midst of looking up conversion kits (so I could modify my normal bike into a stationary type) when I got lucky and found an old BH Vitoria España stationary bike. BH has quite a storied history and this model is really high end. It feels like a quality item even after being at least 20 years old and having been sitting outside for quite a while. I made some modifications to it, then set about working out the ‘desk’ part of the whole thing.

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I added four foot long leg extensions to a small child-size work table, then set things up in the basement. After a few sessions today I think it’s nearly complete. It feels fairly comfortable and is definitely portable. I also like that I can use the table on its own as a standing desk.

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BIKE DESK!! DESK BIKE!!

Inspiration – Kenn Neely

Over the years I’ve made quite a few posts about artists who inspire me. Today I’m putting Kenn Neely in that group.

photo 1Kenn’s work desk – beautiful chaos.

Kenn has always been a maker and tinkerer. His quirky objects take cues from natural surfaces and geometries, as well as from the likes of Alexander Calder and Paul Klee. Kenn works with scrap metal and wire, found objects which he modifies or embellishes, and a variety of wood. Kenn’s wife, Julie, is a great graphic designer who went to RISD. Their home is full of art and warmth.

photo 2A Neely-enhanced cabinet.

asdgphotoOne of the vintage objects in the Neely home. This stool is just classic.

Kenn also makes jewelry, and you can see some of that work here at his Etsy shop. I own a number of Kenn Neely originals, and he’s got some of my work hanging in his home. He’s a thoughtful, genuine man. It was a joy to sit with him and his boys yesterday and make some crafts while chatting over coffee. Good times and a real blessing.

photo 3 The melty bead art thing I made with Kenn’s young sons. It’s sitting on a purple sketchbook that Kenn gave me as a gift.

Thanks for being an Inspiration, Kenn!

Becoming the Student, #2: Glendy

Today, during a visit to some old friends of ours, I had the opportunity to draw a quick portrait sketch of a wonderful young artist named Glendy. I was also lucky enough to sit for her to draw me as well.

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Portrait Sketch of Glendy, Graphite on paper, 8.5 by 11 inches. 10 minutes.

Here’s Glendy drawing me:

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Originally from Guatemala, she’s got the classic, royal features of the Maya. I love that open-eyed, focused observation. It resulted in the portrait of me below. I sat about 20 minutes for this drawing. I think it’s pretty great.

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I also had the chance to sketch Glendy’s younger sister, Larissa. She was a picture of pensive thoughtfulness as she sat for me. Though she couldn’t sit as long as Glendy, I think I actually captured a better likeness. Graphite on paper, 8.5 by 11 inches. 7 minutes.

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I asked Glendy to give me some word of wisdom about drawing. She said that drawing people was “just fun!” When pressed for additional information she seemed defiant, as if to declare that obviously “fun” ought to be enough. I think that confidence is an amazing part of her personality. Glendy’s got the clarity of her mom and the practicality of her dad. Good traits to have. Thanks for drawing me, Glendy, and thanks for letting me draw you!

PS: One of my favorite portraits I’ve ever attempted was of Glendy’s and Larissa’s older sister, Natalie. I made this piece back in 2006. I really love it, and was glad to see it again while visiting with the family. Natalie Reading. Oil on linen on panel, 26 by 24 inches.

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Visiting The Milwaukee Art Museum with Marcus

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My good friend and former student Marcus met up for a day at the Milwaukee Art Museum today. While there, we took in the wonderful and hilarious Thomas Sully exhibition that was on view. We visited old favorites, like the two Richard Diebenkorn works they own. We also enjoyed a couple new friends, like the Audubon piece below:

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While taking in the Thomas Sully: Painted Performance exhibition, I decided to do a number of quick sketches. I spent between 30 seconds and two minutes on these pieces. If you click on my drawing, you’ll see what the original piece looked like.

They really reminded me of the fantastic Kyle Staver’s work. Staver, who just recently had a show at Tibor de Nagy in NYC, often uses classic themes and large, dynamic compositions in her work. She also manifests a unique sense of the shaping of forms, particularly in how she develops the figures in her paintings. Sully, though very different from Staver and far removed from her in time, also had a feeling for the strange shapes that flesh may take on. What he lost in correct anatomy (foreshortening, proportion) was gained in drama and formal structure. The strange figures he painted often loom from the surfaces in terms of their abstract shapes rather than their representational effect. In some way Sully feels like a progenitor of Staver.

Anyway, here are the sketches – click to see the originals. Enjoy!

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Sketch of Thomas Sully’s Self Portrait, 1807.

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Sketch of Thomas Sully’s portrait of Mary Ann Paton, 1836.

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Sketch of Thomas Sully’s portrait of Major Thomas Biddle, 1832.

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Sketch of Thomas Sully’s portrait of Mary Siddons Whelen, 1812.

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Sketch of Thomas Sully’s portrait of Rosalie Kemble Sully as The Student, 1848.

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Sketch of Thomas Sully’s portrait of John Terford David, 1813.

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Sketch of Thomas Sully’s portrait of Mrs George Lingen, 1842.

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All in all it was a pretty nice day. Here’s one more shot of Marcus for the road…

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Becoming The Student, #1: Shalonda Farrow

Starting this month I will be periodically posting a new series of portraits, beginning with the one below. The title of this series, Becoming the Student, is based on my desire to be quieter and learn from others rather than be entirely bound up in my identity as an educator. In Becoming the Student, I hope to present thoughtful, dignified portraits and use the time while creating the works as an opportunity to learn from the people who sit for me. With each post I will include some observation, quote, or other tidbit of glory that the subject shared with me.

The one below was created in 3 hours or so at a portrait workshop I conducted at The Columbia Art League yesterday. Pictured is my friend (and fellow CAL instructor) Shalonda Farrow. I was struck by how often she used the word “love” (as in: “Thank you, love” or “Do you need any of this, love?”) during the session. In speaking to her friends, she’s always intentional about communicating care and awareness. Shalonda seemed like a perfect initial entry into the Becoming the Student series. Here’s to many more. And thanks to Shalonda and the ladies at CAL!

20131208-155201.jpgShalonda, 13 by 11 inches, pastel on paper. 2013.

Digital Sketching

Following the lead of a number of the people around me (such as Matt Choberka, William Dolan, Chris Fletcher, and Alex Herzog), I’ve begun to do more sketching on tablets. I’ve been working on a Kindle Fire using SketchBook Mobile X.

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Above: A sketch made from drawings and photos of a street scene in Guangzhou, China. This is an iconic tree to me, one that I walked past a dozen times, drew, took photos of, and have thought about many times since our trip in February of 2013. You can even see its foliage on Google images of the street corner where it’s located.

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Above: A sketch from the sculpture Hermes and the Infant Dionysus at the Cast Collection of the University of Missouri. I love the Cast Collection and have taught my students there for all but one of my semesters of teaching here at Mizzou.

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Above: A pile of the foam packaging inserts that accompany desktop Macs while in shipment. I use them as props in my Beginning Drawing and Painting setups.

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Above: A post-it note sculpture that hangs in my studio at the university. One of our friends made it and I love it. I’m sure it will appear in many more drawings and paintings over the years.

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Sorry I’ve not been writing much/at all recently. Sometimes it’s best to be quiet.