A couple shots of the investment mold for my bronze! Our pour day got rained out, but it looks like we’ll hit it this week.
The glorious texture of the investment:
Deichkind is a crazy German dance/electro/rap hybrid of awesome. I have an extremely limited grasp of German, but I love their aesthetic attitude, the syncopation of their rhymes, and the variety of their output.
Check out a few of their fantastic videos:
1,000% YES!
Neko Case‘s voice is something beyond description. You need to experience it. Go to NPR right now and listen to her concert recorded in April 2009.
Mark one up for sharing music: a few years ago a friend burned mix of Neko’s music for me. I now own most of her stuff – and I paid cold hard cash for it – because it’s all good work and worth every penny.
My favorites are a few from Blacklisted, Fox Confessor Brings the Flood, and Middle Cyclone – her latest. Here they are (with a few linked to YouTube videos of live versions):
From “Blacklisted” – Ghost Writing
From “Fox Confessor Brings the Flood” – Star Witness and Fox Confessor Brings the Flood
From “Middle Cyclone” – Prison Girls and The Pharaohs
My wife and I got to see Neko in Kansas City this past July; it was awesome. You should see her, too.
Andrew Wyeth, Sea Boots, tempera on panel, 29 b y 19.5 inches, 1976.I’ve got a new short essay up over on Neoteric Art. The piece is called “A Few Days With Wyeth” and is about the trip I made out to Philadelphia for the Wyeth retrospective there in 2006. Read the piece at Neoteric and let me know if I got too sentimental or overzealous.
VOX Feature on my work, Plato Play by Jessica Davis.
Audio slide show here.
Columbia Daily Tribune Article, “Articulation, orchestration” by Aarik Danielsen.
Photos by Calin Ilea

Awesome
Yesterday evening was the reception for my show (with David Spear) at PS Gallery in downtown Columbia, MO. A while after I arrived, grabbed an adult beverage, and began to talk with guests, out of nowhere walked up George.
George, a neighbor of ours from Evanston, IL, is a man who exudes kindness and engagement. Alison and I lived just down the block from him – his mane of long gray hair was trademark on our block. Often he’d be out front playing frisbee with his young son or in his studio woodworking (he’s a master). Always generous with his time and interested in whatever I was doing, I got invited to spend time in his studio a few times. We’d hang out and talk, each conversation tinged with his joyful, gentle demeanor; we have had some great conversations over the years. He and his wife have provided a good home to one of my most cherished paintings for a few years now. See it here:

The Measure (detail), Casein on panel, 16 by 20, 2001-02
Anyway, George drove down from Evanston (just north of Chicago) early on September 10th. He told me he spent the afternoon walking around Columbia, seeing the University, visiting shops, and generally getting a very good impression of our little portion of the Midwest. He stayed through the reception, then took me out for an amazing dinner at Bangkok Gardens. We drank martinis (made to his order) and talked about all manner of things – from teaching and spirituality to art and family. It was a good time and a great gift.

Here we are in a photo taken by our waitress. A bit shaky but effective.
George emailed me this afternoon to say he’d gotten back to Evanston just fine. I’m thankful for devoted and joyful friends like him. The more I think about it, the more I realize that this gesture – taking two days and driving 800+ miles just to look at my work and share a meal with me – that’s what I’ll take away from that night and carry with me. I turned 33 on the 7th. This visit was an amazing birthday gift. Thanks, George.

OK, apparently Vimeo and WordPress don’t like to talk to one another so I can’t embed this video of me drawing Larry in time lapse. But click over to see it:
Ok, I admit it: I am a fan of Star Trek. The sort of fan who views Star Trek V as non-canon. The sort of fan who favors science jargon over stupid time-travel-as-plot-device stories. I also love the tech/mech of Trek. This is partly because the ships are aesthetically pleasing to me, but also because they are annoying, awkward, and usually fail to show real design necessity and/or continuity – mostly because of capricious writers/directors/producers.

In any case, I love imagining and re-imagining the ships. Usually my sketches combine known, canon design elements while forgoing any attempt to supplement or enhance them (as so many of the series and movie producers sought to do).

In the Evanston studio, February 2007.