Hope Sandoval

Hope Sandoval and the Warm Inventions just released their second, long-awaited collection of music, titled Through the Devil Softly.

The new music stands in some dusty, murky ground between the previous HS&tWI CD, 2001’s Bavarian Fruit Bread (BFB), and the legendary body of work created by Sandoval’s other (long dormant) band, Mazzy Star. Through the Devil Softly (TtDS) is neither as downbeat-shoe-gazing as BFB was, nor is it as deathly otherworldly as the Mazzy Star work was. TtDS finds a glowing haze that the others forego in their overcast evenings and midnight reveries.

The sonic textures of old (glinting, rain-like guitar work; fleeting harmonicas; noir-ish, understated drums) are back and certainly reference the previous HS&tWI recording. But in TtDS they feel not so much quoted as rethought, reconstructed; there really is a different feeling to this new group of songs. Bavarian Fruit Bread’s sound was nested largely in an acoustic feel and this inflected every aspect of the production – even the layered use of keyboards and other ambient soundscapes present in the work. In TtDS, layered instrumentation and vocals signal the constructed, incremental product that it is.

I’m pleased with the confidence in Sandoval’s voice on TtDS and find the syncopation of delivery that she’s using really lovely. Yes, the trademark lilting languidness is there – it’s something fundamental to how she uses her instrument – but on TtDS her intonation touches a clarity and closeness not felt on previous tracks. The music stays pushed off in fade and reverb, yet Sandoval’s breathy voice is near and concise when compared to her past work.

Overall, TtDS feels more varied and staged than BFB… and that’s good. It’s a body of music that feels like it is referencing a greater range of feeling than past tracks were while retaining the trademark sound and mood for which Sandoval is known.

It’s nice to have more Hope out there.

Key tracks from Through the Devil Softly:

Blanchard
For the Rest of Your Life
Sets the Blaze

ttds

Neko Case Favorites

Neko Case‘s voice is something beyond description. You need to experience it. Go to NPR right now and listen to her concert recorded in April 2009.

Mark one up for sharing music: a few years ago a friend burned mix of Neko’s music for me. I now own most of her stuff – and I paid cold hard cash for it – because it’s all good work and worth every penny.

My favorites are a few from Blacklisted, Fox Confessor Brings the Flood, and Middle Cyclone – her latest. Here they are (with a few linked to YouTube videos of live versions):

From “Blacklisted” – Ghost Writing

From “Fox Confessor Brings the Flood” – Star Witness and Fox Confessor Brings the Flood

From “Middle Cyclone” – Prison Girls and The Pharaohs

My wife and I got to see Neko in Kansas City this past July; it was awesome. You should see her, too.

neko case uptown

One Unbelievable Gift

Yesterday evening was the reception for my show (with David Spear) at PS Gallery in downtown Columbia, MO. A while after I arrived, grabbed an adult beverage, and began to talk with guests, out of nowhere walked up George.

George, a neighbor of ours from Evanston, IL, is a man who exudes kindness and engagement. Alison and I lived just down the block from him – his mane of long gray hair was trademark on our block. Often he’d be out front playing frisbee with his young son or in his studio woodworking (he’s a master).  Always generous with his time and interested in whatever I was doing, I got invited to spend time in his studio a few times. We’d hang out and talk, each conversation tinged with his joyful, gentle demeanor; we have had some great conversations over the years. He and his wife have provided a good home to one of my most cherished paintings for a few years now. See it here:

The Measure, 2001

The Measure (detail), Casein on panel, 16 by 20, 2001-02

Anyway, George drove down from Evanston (just north of Chicago) early on September 10th. He told me he spent the afternoon walking around Columbia, seeing the University, visiting shops, and generally getting a very good impression of our little portion of the Midwest. He stayed through the reception, then took me out for an amazing dinner at Bangkok Gardens. We drank martinis (made to his order) and talked about all manner of things – from teaching and spirituality to art and family. It was a good time and a great gift.

George and Matt

Here we are in a photo taken by our waitress. A bit shaky but effective.

George emailed me this afternoon to say he’d gotten back to Evanston just fine. I’m thankful for devoted and joyful friends like him. The more I think about it, the more I realize that this gesture – taking two days and driving 800+ miles just to look at my work and share a meal with me – that’s what I’ll take away from that night and carry with me. I turned 33 on the 7th. This visit was an amazing birthday gift. Thanks, George.

I Draw Star Trek Ships!

ship ideaOk, I admit it: I am a fan of Star Trek. The sort of fan who views Star Trek V as non-canon. The sort of fan who favors science jargon over stupid time-travel-as-plot-device stories. I also love the tech/mech of Trek. This is partly because the ships are aesthetically pleasing to me, but also because they are annoying, awkward, and usually fail to show real design necessity and/or continuity – mostly because of capricious writers/directors/producers.

USS flying dutchman

In any case, I love imagining and re-imagining the ships. Usually my sketches combine known, canon design elements while forgoing any attempt to supplement or enhance them (as so many of the series and movie producers sought to do).

freedom class, ballou variant