Another Semester, Another Round of Glory

Yes, it’s Beginning Color Drawing time again… Once again it’s been a great start to the semester. I feel pretty astounded at the talent of my Beginning Color students; even though they’ve all taken Drawing 1, and some have had other studio courses as well, they’re all making big strides. It’s fantastic work. Take a look:

Andrew Vincent “Grid #1” Chalk Pastel, 24 by 18 inches, 2011.

Melissa Hoefer “Grid #2 Colored Pencil, 18 by 18 inches, 2011.

Emily Armstrong “Two Colored Pencil Object Group Studies” Colored Pencil, 24 by 18 inches, 2011.

Lauren Roberts “Grid #1” Chalk Pastel, 18 by 24 inches, 2011.

Mitchell Baggett “Colored Pencil Object Group Study” Colored Pencil, 12 by 18 inches, 2011.

I know I’ll be posting more work from this group…

Experiences, Not Products

There’s a great piece up on the Guardian UK website showing a film of famed painter Sean Scully talking about working, being a father, and other topics. Though I’m not a huge fan of his work, I love what he says here:

“You’re trying to, in a sense, imitate God because you’re trying to be creative. And I can never make anything better than Oisin (his son). That’s my greatest creation.”

and here:

“I’m not sure that I have a destination in mind. I’m on a journey. I don’t expect to arrive.”

and here:

“If you’re plotting art, and trying to make something to get something, you’re not in a state of creative innocence. You’re not making art. You’re doing something else.”

This last bit is fantastic. I find it quirky for an artist like Scully – who has exhibited such consistency and clearly defined formatting for decades – to make that statement. But it is really something I believe in. I tell my students constantly: I couldn’t care less about products – I want experiences. I think that’s part of what Scully is saying there.

I don’t want my students to merely execute skills or master techniques; I want them to live out the sense of being that’s wrapped up in obtaining those skills or using those techniques. Making artwork is physical philosophy… it’s a musing on what it means to be miraculously conscious, purposefully aware, intuitively engaged and intellectually stimulated by a range of actions and tremendously important conditions of the human body/mind.

Above: Sketchbook drawing from 2006… it keeps coming back to me. Some day it’ll resolve into an image.

I saw the Scully story via Two Coats of Paint. Check out that blog.

Installing at Gordon

Today I arrived at Gordon College to install my exhibition of paintings, drawings, and prints, titled Redeeming Tensions. Bruce Herman, a Professor at Gordon and director of the gallery, worked with Leo (installer extraordinaire!) and me to hang the show. Here are a few shots of it all going up.

I also spoke for Associate Professor Michael Monroe’s class of 75 or so – fielding all of the students’ questions made for a good time.

More tomorrow after the opening reception talk. If you’re in the area (eastern Massachusetts), stop by! It’ll be at the Barrington Art Center on the Gordon Campus.

So far I’ve felt such a kinship with everyone here. It’s a great place; the beautiful campus has a massive blanket of snow but everyone is pleasant and uplifting to talk to. I’m really looking forward to the reception…

The Figure Now at Fontbonne University

I have two pieces up at Fontbonne University’s show “The Figure Now”Michael Grimaldi was the juror. The mailer invite card is below, and below that one of my works from the show. If you’re in/near Saint Louis over the next month, stop over and check it out (and my two other current shows (in VA and WV) are on view now and will be up for a while).

(click for a larger view/event info)

 

The Angles, graphite on paper, 42 inches in diameter.

Coyolxauhqui and Me

Above is the awesome stone relief featuring Coyolxauhqui. Check out her story about embarrassment and dismemberment here.

Below is my mezzotint print illustrating Lamentations 3, Verses 10 and 11.

I was inspired by Coyolxauhqui’s stone disk and tried to give my piece some of the energy of that image of the ancient Aztec goddess of the Moon.

This piece and 15 others based on Lamentations 3, Verses 1 through 26 (as well as drawings and paintings of other subjects) will appear in my solo show at Gordon College in Massachusetts this February and March.

On Spirituality: Emerging Visions of the Spiritual

“On Spirituality: Emerging Visions of the Spiritual”

Marshall University, Gallery 842,
842 4th Avenue, Huntington, WV

Jan. 21- Feb 18th.
Opening Reception: January 21st, 8-6pm

Included Artists:

Matthew Ballou
Jared Clark
Jeff Guy
Stacy Isenbarger
Leonor Jurado
Natalie Larsen
Casey Smith
Rusty Wallace
Charles Westfall

My statement for the show:

“These works on paper are part of a series exploring the formal elements of an ancient geometric form called the dodecahedron. Made from twelve pentagons, the dodecahedron was thought by Plato to be the physical shape of the universe. It was the fifth – the quintessential – of his famous Five Solids. This Solid carries with it a number of metaphysical meanings, not the least of which is the notion of an amoral stage or arena within which the machinations of reality take place. In my works, the angles, shapes, and semi-tessellation of the layered dodecahedra bridge the distance between the organic and the mathematic, between the known and the unknowable, between physical description and metaphysical intuition. These contemplations re-imagine those of Saint Augustine, who saw spiritual epiphany as inherent in rational inquiry.”

One of my works in the show, Quintessence #4:

Inspiration – Hanneline Røgeberg

Hanneline Røgeberg is a great Norwegian-born painter who teaches at Rutgers. I’ve admired her work for many years, cited it in my graduate thesis for Indiana University, and poured over it in writings and classroom discussions.

Alloy, oil on canvas, 48 x 49 inches.

She really is quite a treasure. I appreciate her serious commitment to painting as a form, her philosophical engagement with that form, and her deep willingness to pursue material and application over the image as such. Below are some links that can introduce her work and words to you:

Form and Story: Narrative in Recent Painting discussion at MW Capacity (guest post text by yours truly)

Hanneline Røgeberg talk at Boston University (this talk is fantastic and I encourage you to watch it a number of times – so full!)

Her personal website

Balzac I, oil on canvas, 24 x 20 inches

Check her out, and seek out more for yourself!

Vacation = Work

This Thanksgiving Break my wife and I decided to stay at our home here in Columbia, MO rather than going to visit family for the holiday. There’s a lot going on for us, and for my work in particular. There’s no time to take a break.

I’ve got three significant shows coming up. The first is a wonderful show at the University of Mary Washington Ridderhof Martin Gallery in Fredericksburg, VA. The exhibition is titled SHADES OF GRAY: Drawings in Graphite and will run from January 21 – February 25, 2011. I’m particularly excited about this exhibition as Joann Moser, Senior Graphics Curator from the Smithsonian Museum of American Art, will be presenting a lecture and placing the work on view in context. Below is one of the four works of mine that will be included in the show.

Anthropology (Conceits of Knowledge #3), graphite on paper, 38 by 42 inches, 2008.

The next show I’m involved in is a solo show at the Barrington Center for the Arts at Gordon College just outside of Boston, MA. The show is titled Redeeming Tensions and will feature approximately 40 paintings, mezzotint prints, and drawings. It’s the largest show I’ve ever attempted. It will run from February 5 through March 19, 2011. Below are two of mezzotint plates I’ve been working this week. The finished works will be printed and appear in the show.

Lamentations Chapter 3 Verse 8, copper mezzotint plate, 2010.

Lamentations Chapter 3 Verse 14, copper mezzotint plate, 2010.

The final major show I’m involved in will be a two-person exhibition at the 930 Art Center in Louisville, KY with Tim Lowly, one of the most amazing representational painters working today. It is an extreme honor to be asked to show with him, and I am super excited about our show of tondos. I’ve got some work for this show underway but since it’s a while until the show opens I want to keep that under wraps – the run should be June 17 – July 31, 2011.

So, as you can see, I don’t have time to take vacations from the things I love, the things I’m passionate about… and I wouldn’t want to. Faith, family, art making, community, teaching; I life for and in and through these things. They may all seem like cliches to some people, but I’ve got a full life and a full plate. I love it and I am thankful for it.