Tag Archives: donald crowhurst

Colonial Debris, Imperial Fragments – A Catalog

Posted on by under Art, Life, news, Writing

I’m pleased to announce the publication of a catalog about the exhibition that Simon Tatum and I had at Vanderbilt University last year. Working with Oswaldo Garcia at The Riso Room, housed within Mizzou’s School of Visual Studies, I was able to produce a slim volume that highlights some of the work and writing that Simon and I produced for this show. We hope to take the exhibition around to other venues, and these catalogs feel like a great physical supplement to proposals. Click below to take a look inside.

The images show representative examples of the work we include, as well as updated texts that give an overview of the history and context we’re working within. I’m excited by how the risograph process has captured the documentary quality of Simon’s work and the surface development of my own pieces. I love the way the back cover shows Donald Crowhurst’s final coda, “IT IS THE MERCY.” Taken from his logs, this is Crowhurst’s actual writing reproduced.

If you’re interested in obtaining a copy for $25, please send payment via one of the options below:

Inspiration – Simon Tatum

Posted on by under Art, Teaching

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One of my best students ever was Simon Tatum, a fantastic young man who recently graduated from Mizzou as an undergraduate. He is currently working for the National Gallery of the Cayman Islands on an internship, and his work is on display there now. Simon has really demonstrated his quality as an artist and as a person over the years I’ve known him, and I am confident that he will be a leader in Caribbean art for many years.

Before he left, Simon gifted this incredible study to me – below. It is a work of ink on Mylar (24 by 16 inches) that had been enamored with for a long time, and one that I consistently returned to gaze at as it hung on his studio wall for more than a year.

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In some ways this work is a study, an early experimentation in the ink-on-Mylar technique that Simon explored for a good part of his undergraduate career. In other ways it presaged his current fascinations with Caymanian cemetery houses, the geometry of memorials, and the catalysts of memory that many human beings experience. I really love the piece and am planning to mount it in a light box so that it is back-lit… glorious.

Examples of some recent work (graphite screen printed on newsprint, dimensions variable. Photos by Simon Tatum):

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Simon’s work has inspired me, but he has also given me a deeper connection to one of the most important stories I’ve encountered: Donald Crowhurst and his Teignmouth Electron. The tale of Crowhurst and his voyage, as recounted in the fantastic documentary Deep Water, are items that come up frequently in my classes. A wonderful book about this strange episode is Peter Nichols’s A Voyage For Madmen. Seriously, go read it.

The final resting place of the Teignmouth Electron is Cayman Brac, near where Simon grew up. It turned out that he knew how to find the boat, and so he visited it for me and others here at Mizzou who are interested. Just a couple weeks ago Simon, along with fellow Caribbean artist Blue Curry, visited the boat again to document its ongoing disintegration. Their photos have been posted here.

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A fragment of the Teignmouth Electron, washed away from the decaying wreck after Hurricane Paloma in 2007.

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The current state of the Teignmouth Electron, June 2017. Photo by Simon Tatum.

Thank you, Simon! I can’t wait to see what you do in the future!