Ten Years Gone

Ten years ago today – May 27th, 2001 – I arrived at Ox-Bow for a three month long fellowship residency.

It’s hard to express to everyone around me how important my time there was, how transformative it was, how much it has stayed with me and influenced everything that I am.

“It is a circus of cycles: rejuvenation and writhing. And each year new initiates take up residence even as the remains of those who had gone before continue a silent obliteration. To call its colors: all manner of greens and the diffuse, languid blues of late summer days, tinseled pinpricks of red and gold. It is a baptism of twilight and smoke, a romance – like long forgotten songs that still ring in the air – of memories echoing in a shell, of sounds muffled in the ear.” – from A Mnemonic of Longing, an unpublished essay, 2002-2009.

Above: The Ox-Bow Lagoon in the gloaming, summer 2001.

“The Bell, Struck” – Tondos by Tim Lowly and Matt Ballou

I’ve got an show coming up in Louisville, KY with Tim Lowly at the 930 Art Center. Click HERE to see the 930’s website for the show. Click HERE to see a gallery of some of the work I’ll be presenting there and HERE for work from Tim. I’m really looking forward to this exhibition! If you’re going to be in the area this summer, check it out!

Above: Bells, acrylic on paper mounted on panel, 24 inches in diameter. In progress.

Drawing is…

Drawing is the literal manifestation of corrections, adjustments, and negotiations made during its own construction. A drawing (regardless of the manner of the image it displays) is always a representational work depicting the activity by which it was made. As we build a work, we self-correct. As we self-correct, we leave a trace of real observation and negotiation, declaring our willingness to leave behind what has not worked in the service of the total work and in anticipation of something that will work better. The final drawing is not a snapshot, not a slice of time, but a track record of integrations attempted, iterations discovered, and disparate elements syncretized.

Untitled (Beautiful Collision #3), Graphite on paper, 20 inches in diameter, 2008.

 

Another Semester, Another Round of Glory

Yes, it’s Beginning Color Drawing time again… Once again it’s been a great start to the semester. I feel pretty astounded at the talent of my Beginning Color students; even though they’ve all taken Drawing 1, and some have had other studio courses as well, they’re all making big strides. It’s fantastic work. Take a look:

Andrew Vincent “Grid #1” Chalk Pastel, 24 by 18 inches, 2011.

Melissa Hoefer “Grid #2 Colored Pencil, 18 by 18 inches, 2011.

Emily Armstrong “Two Colored Pencil Object Group Studies” Colored Pencil, 24 by 18 inches, 2011.

Lauren Roberts “Grid #1” Chalk Pastel, 18 by 24 inches, 2011.

Mitchell Baggett “Colored Pencil Object Group Study” Colored Pencil, 12 by 18 inches, 2011.

I know I’ll be posting more work from this group…

Installing at Gordon

Today I arrived at Gordon College to install my exhibition of paintings, drawings, and prints, titled Redeeming Tensions. Bruce Herman, a Professor at Gordon and director of the gallery, worked with Leo (installer extraordinaire!) and me to hang the show. Here are a few shots of it all going up.

I also spoke for Associate Professor Michael Monroe’s class of 75 or so – fielding all of the students’ questions made for a good time.

More tomorrow after the opening reception talk. If you’re in the area (eastern Massachusetts), stop by! It’ll be at the Barrington Art Center on the Gordon Campus.

So far I’ve felt such a kinship with everyone here. It’s a great place; the beautiful campus has a massive blanket of snow but everyone is pleasant and uplifting to talk to. I’m really looking forward to the reception…

Lamentations 3 Series Complete

This weekend I printed and framed the last of the Lamentations 3 Series. I’ve talked about it before here, here, and here. It’s been a long journey: 20 months, lots of rocking on the mezzotint deck, the production of beautiful coppery glory, and a ton of revision. Tonight I pack them up for the trip to the Gordon College show. Here’s a preview of the last two, freshly finished (click for larger view… sorry, close up viewing is a little blurry; look for a super clear set of the whole 16 mezzotint series in a few months):

Lamentations 3, Verse 16

Lamentations 3, Verses 19-20

The Figure Now at Fontbonne University

I have two pieces up at Fontbonne University’s show “The Figure Now”Michael Grimaldi was the juror. The mailer invite card is below, and below that one of my works from the show. If you’re in/near Saint Louis over the next month, stop over and check it out (and my two other current shows (in VA and WV) are on view now and will be up for a while).

(click for a larger view/event info)

 

The Angles, graphite on paper, 42 inches in diameter.