Tag Archives: matt ballou
These Precious Things
We’ve gotten a lot of awesome practical gifts from friends and family in anticipation of Miranda joining us this coming May. Everything has been wonderful and much appreciated; it’s always humbling when friends find a way to be particularly thoughtful in joining with me in some joy.
But two of the gifts we’ve received recently have felt strikingly beautiful to me. I want to share them below…
An artwork by Jen.
This piece, a printwork created from many layers of oil monotypes, is related to a group of works that Jen Meanley showed at Manifest in Cincinnati, OH over the past month. Jen sent it out of the blue when she heard Alison and I were pregnant. I love it and feel honored to have it.
I know Jen from grad school. She was such a strong presence at IU; her paintings and intelligence both intimidated and awed me during my time there. I’m glad we have continued to communicate over the years and I love that her’s will be among the first art Miranda will see.
A rattle from Connie.
Connie Gillock is a longtime friend of ours. I first met her at Ox-Bow in the summer of 2001. Connie has shown herself to be a master gift-giver; it’s a skill she’s fostered in her daughters. I can sense the great joy they get from giving, and appreciate how they keep it simple and genuine. This beautiful silver rattle is amazingly elegant… I can’t wait to see it in Miranda’s hands.
Thanks, Jen. Thanks, Connie.
A Message For the New Year
…a screen shot (featuring Peter O’Toole in a low point of his career) from Thomas Kinkade’s “Christmas Cottage.” This is, perhaps, one of the worst yet most hilarious movies ever. And here’s a chaser made by artist Sloane Snure Paullus.
Enjoy 2010!
More Collographs
Click on each for a more detailed view.
Collograph Prints
I’m beginning a series of collographic prints based on the angles of the pentagonal sides of dodecahedrons. Here are images from the first few.
All are in a range from 6 to 12 inches in diameter. I’m conceiving of them as tondos or ovoids, but haven’t decided on the orientations or how I’ll use light with them, since it’s so important to how they’re seen.
None of these prints have pigment of any kind on them.
Click on each image for a larger view.
Winter 2009 MU Honors Convocation
Me with one of my favorite art students, Shannon.
(Above: photo by Rob Bratney)
She earned honors for her work in Psychology at MU. She minored in Art, which is obviously where I worked with her.
Honor students often name a faculty person who walks with them in the procession to the ceremony where they receive their honors regalia. I was humbled when Shannon asked me to attend the festivities with her.
She is a dedicated, thoughtful, conscientious person. I’m looking forward to seeing the trajectory of her continued success as she looks toward Graduate School and combines her love for people with her love for art. Good job, Shannon!
Miranda Grace Ballou
Miranda
Your hands and feet… your eyes and brain… they are all more than fresh; they are still being knit together.
As I sit here, there you are across the room in your mother, your heart striking a tattoo of potential to future joys and woes. When I think about all that I am, all that your mom is, all that our people are, all that our world is, I am caught short of breath… not really overwhelmed, but overawed.
Overawed because I know that, in major ways (foreseen and unforeseen), I will be part of the way you access all that has been. This great world, this great universe of experience and time and sensation and being – each facet part of your inheritance as a human being – is going to be presented to you by my faltering, limited, frail hands and voice.
And I am moved by all of this, partly because I know that being alive is hard and I don’t want you to hurt. But I am more moved by it because I know how much the miracle of being conscious has inundated me, made me, transformed me. The glories and wonders of the things you’ll know and see and touch and hear and be flood me; I, too, know them, and know that you’ll know them so much differently than I have. But we’ll have that knowing to share.
Part of that knowing is a realization that the dignity of what you are is because of a Story that transcends space, time, personality, individuality, and being itself. That’s the place I want to start, even as we explore everything else, because everything else is embedded in that Story. You are in that Story.
You are the precious thoughts of the Author of that Story. You are the manifestation of the articulated structures of Story rippling through all things. You are fearfully and wonderfully made.
For you formed my inward parts; you knitted me together in my mother’s womb.I praise you, for I am fearfully and wonderfully made.
Wonderful are your works; my soul knows it very well. My frame was not hidden from you, when I was being made in secret, intricately woven in the depths of the earth. Your eyes saw my unformed substance; in your book were written, every one of them, the days that were formed for me, when as yet there was none of them. How precious to me are your thoughts, O God!
How vast is the sum of them!
Latest Essay – On Robert Henri, Subjectivity, and the Nature of Being
My latest essay, Subjectivity and Robert Henri, was published this week over on the Neoteric Art Blog. I’m really proud of the piece. It challenged me while writing it and I think it’s something I’ll go back to again and again.
I have to say that Annie Dillard’s Pilgrim at Tinker Creek and Gaston Bachelard’s The Poetics of Space were major influences in the essay. Here’s to good thoughts and words, ones that reproduce (even if only in some small way) after their own kind.
The Cast Collection
My students always do good work at the Cast Gallery of the Art and Architecture Department at the University of Missouri. I created a post on Art and Architecture’s Blog, Musings, explaining why I continue to take my students to work from the casts. Check it out.
Above: my demo drawing from this semester.
Drawing 3 Student Work
In my Drawing 3 (basically Life Drawing) course at the University of Missouri, we have a series of projects that focus on developing drawings that have a dynamic, shifting arrangement of bodies and spaces. The goal is for students to hone their ability to combine observed form and light with a knowing, thoughtful editing of the overall structure in order to create/direct the psychological environment of the picture. In earlier projects, students are asked to create a drawing of a model who, after a certain period of time, shifts part of his or her pose. Students have to adapt their drawing, learning how to react the experience of seeing rather than freak out that everything isn’t the same (as if anything stays the same anyway). Later on, we work on a longer series of poses over the course of 8 or 10 class periods. Using up to three different models who strike a couple different poses, the class develops larger drawings that incorporate the combination of the different figures in some kind of invented, yet observation-based, pictorial framework. Below are a few examples of what students have done. Keep in mind that none of the models posed together, and often very little of the stage arrangement was the same. I could go on and on about how I believe these projects really strengthen the students to have an EXPERIENCE of art rather than simply executing an exercise, but I’ll let their work speak for them. Click on each for a larger version.
by Lindsey Cole
by Dan Jimenez
by Roxanne Kueser
by Charlie Hostman
by Jared Fogue
by Marcus Miers
by Mallory Parsons
by Derek Frankhouser
eikonktizo 
