Craft Studio Gallery Show, Presenting Context

I’ve got an installation up at the Craft Studio Gallery of the University of Missouri in Columbia.

I proposed the show and brought in the additional artists and their works. See below for more shots of the installations and to read our group statement. Be sure to click on each artist’s name to see more of their excellent work.

The Reception will take place February 19 at 4pm. Hope you can make it. Check back here soon for some details from the installed contexts.

Work and Installation of Context by Nathan Sullivan.

Work and Installation of Context by Derek Frankhouser.

Work and Installation of Context by Sloane Snure Paullus.

Work and Installation of Context by Catherine Armbrust.

Work and Installation of Context by Marcus Miers.

Presenting Context Group Statement

Artworks are almost always presented to viewers far removed from the circumstances of their creation. The inspirations, research, sources, methods, and background information that form the basis for all artworks are usually unavailable to the audience. This amounts to a veil of mystery surrounding the finished work, masking and focusing it. Artworks appear to have simply sprung fully formed into the world, though we know this to be false. This exhibition proposes to change that – at least in some small way – by displaying singular artworks in tandem with the ephemera that lead to their creation. Alongside completed works, artists will show some background to the art: inspiring data, evocative objects, images historical and pop cultural, as well as the more traditional sketches showing trial and error. Taken together, these artifacts will serve to illuminate the experiences artists go through to process their ideas and actions into finalized pieces of art.

Exhibiting Artists

Visiting Assistant Professors Matthew Ballou and Nathan Sullivan
MU Graduate students Catherine Armbrust and Sloane Snure Paullus
MU Undergraduate students Derek Frankhouser and Marcus Miers

Heaven?

I’ve been obsessed with the sign shown above for months. As you can see from the image below, it’s located in an unused, locked lobby at a Landmark Bank location. Why would there be a neon HEAVEN sign at a bank? What does it mean? Is it art? Is it irony? Anyone out there have thoughts? Click on the pics for a clearer view…

Drawing 3 Student Work

In my Drawing 3 (basically Life Drawing) course at the University of Missouri, we have a series of projects that focus on developing drawings that have a dynamic, shifting arrangement of bodies and spaces. The goal is for students to hone their ability to combine observed form and light with a knowing, thoughtful editing of the overall structure in order to create/direct the psychological environment of the picture. In earlier projects, students are asked to create a drawing of a model who, after a certain period of time, shifts part of his or her pose. Students have to adapt their drawing, learning how to react the experience of seeing rather than freak out that everything isn’t the same (as if anything stays the same anyway). Later on, we work on a longer series of poses over the course of 8 or 10 class periods. Using up to three different models who strike a couple different poses, the class develops larger drawings that incorporate the combination of the different figures in some kind of invented, yet observation-based, pictorial framework. Below are a few examples of what students have done. Keep in mind that none of the models posed together, and often very little of the stage arrangement was the same. I could go on and on about how I believe these projects really strengthen the students to have an EXPERIENCE of art rather than simply executing an exercise, but I’ll let their work speak for them. Click on each for a larger version.

by Lindsey Cole

by Dan Jimenez

by Roxanne Kueser

by Charlie Hostman

by Jared Fogue

by Marcus Miers

by Mallory Parsons

by Derek Frankhouser

Pillars of the Earth

ballou-shoulderAbove: “Shoulder (Grindstone Cliff, Fall 2009)” Click the image for more info.

I love the Grindstone Nature Area here in Columbia, MO. There are a series of cliffs located there, and several of them are within 5 or 10 minutes walk for me. I often go there to draw or read or think.

I’ve gotten some nice drawings out of my time there. One I did a while back can be seen here.

Good stuff.

Dodecahedron Bronze, Part 5

BallouPour02This past week I was able to participate in the actual pouring of the bronze for my sculpture. Above, the small furnace containing the crucible for the small amount of bronze needed for my piece.

 

BallouPour10

 

 

BallouPour20

 

 

BallouPour27

 

The images above show the pour in process – it really was unbelievably hot.

 

BallouPour32

 

Love that glow!

 

BallouPour33

 

This image shows the beginning of the breakout process…

 

BallouPour37

 

Starting to show through…

 

BallouPour38

 

An inspection… The process is nearly complete. After all of the casting material is removed, we’ll sandblast the bronze, then polish to achieve a final look. We’ll also have to do some welding, in order to connect parts that were cast separately. My thanks go out again to Chris Morrey, who has helped out for the entire process, and to Jim Calvin, who stepped in as an experienced hand to actually conduct the pour.

Neil Gavett, Model Extraordinare

The Columbia Daily Tribune is running a feature on Neil Gavett, one of the primary models I’ve used in my work over the last couple of years. He’s a pretty cool guy, has an interesting back story, and a staggering plethora of tales to tell. Neil is also a professional art model; he’s posed for nearly 10,000 hours and has been working consistently for over a decade in the Mid-Missouri area. Below is the first painting I ever did of Neil (Fall 2007).

neil I’ve been honored to get to know the man. In working with him, I have tried to create images worthy of the symbiotic relationship we’ve developed, a relationship that could never happen without his deep intention and purposeful action as a man and a model.

Here’s to many more pictures, Neil!

UPDATE: Here’s a related item from the New York Times today: “In the Altogether.”

Dodecahedron Bronze, Part 3

DSC05348

Worked on the investment mold for my bronze with Chris again a few days ago. Above is the “before” picture… and below is a pictorial of the process.

DSC05358

DSC05360

DSC05361

DSC05364

DSC05365

DSC05366

This was one of about 12 iterations of the same process. Eventually the wax will be entirely coated with the investment and a fine silica sand. In a week or so we’ll aim at the actual bronze pouring. I’ll have pictures of that as well!